It Doesn't Have To Be Right…

… it just has to sound plausible


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Reading diary, #8

More catch-up content, I’m afraid, covering the books I’ve read over the past month or so. It’s the usual mix – some genre, some literary, some which are neither. I’m not going to write too much about each individual book, or I’d never get this post finished. And I am supposed to be doing things, after all.

MicrocosmosMicrocosmos, Nina Allan (2013). This is number five in NewCon Press’s Imaginings series of collectible, er, collections. Other volumes are by Tanith Lee, Stephen Baxter, Tony Ballantyne, Lisa Tuttle, Adrian Tchaikovsky, Steve Rasnic Tem and Eric Brown. I often find myself conflicted about Allan’s short stories – there’s no denying she writes excellent prose, but I often have trouble with the details. ‘Flying in the Face of God’ is a case in point – it’s a lovely story, and it draws its portrait of its protagonist sensitively and well, but… the whole astronaut thing seemed to me too vague and hand-wavey, and that spoiled it for me. ‘The Phoney War’, on the other hand, is less overtly sf and so I felt it worked better, particularly since Allan is excellent at sense of place.

Paintwork, Tim Maughan (2011). I’m coming to this a bit late, but I only have an ebook copy and I’m still not quite comfortable reading ebooks. All the same, I took my Nook with me on a business trip to the South Coast as I’ve been reading an ebook of Henry David Thoreau’s Walden on and off for a couple of months, but I read Paintwork instead. ‘Havana Augmented’ I thought the best of the three in the collection, with its VR mecha combat on the streets of Havana, but all are good near-future sf of a type that few people seem to be writing at the moment.

Worlds for the Grabbing, Brenda Pearce (1977), I read for SF Mistressworks. My review is here.

moonenoughThe Moon Is Not Enough, Mary Irwin (1978). This is the only autobiography by an Apollo astronaut’s wife I’ve been able to find. Jim Irwin, Mary’s husband, was the LMP on Apollo 15. (Nancy Conrad and Betty Grissom, on the other hand, wrote biographies of their husbands.) I suspect Irwin’s story is not unusual among the astronaut wives – a marriage that begins to fall apart due to the husband’s commitment to his work, dragged back from the brink by either church, psychoanalysis, or NASA’s insistence on “happy families”, or, in Irwin’s case, all three; or the marriage explodes as soon as hubby has been to the Moon. I read the book for research, and in that respect it proved very useful.

Cyclonopedia: Complicity with Anonymous Materials, Reza Negarestani (2008) Recommended by Jonathan McCalmont and, to be honest, I didn’t really get the joke. It’s written as a cod academic text, and probably does an excellent job of spoofing its material, but I’m not familiar with the sort of academic arguments it uses. It did remind me a lot of some of the Nazi occult science mythology – especially those books published by Adventures Unlimited Press – which create entire secret scientific programmes out of the flimsiest of evidence. The plot, such as it is, describes the War on Terror as an emergent phenomenon of humanity’s exploitation of oil, which is itself an inimical intelligence determined to rid the planet of humans. Or something.

Judgment Night, CL Moore (1952, although it was originally serialised in 1946), I read for SF Mistressworks. My review is here.

Sea of Ghosts, Alan Campbell (2011). I usually avoid fantasy, but I picked up this book because a) Martin Lewis recommended it, and b) the cover art features a deep sea diver. There’s some interesting world-building in this, and a nice line in wit, but the thinly-disguised discussions on quantum mechanics wore thin very quickly, and the unnecessary brutality was also a little wearying. I enjoyed it, but I don’t think I’ll bother with the sequels.

Second Body, Sue Payer (1979), I read for SF Mistressworks. To be honest, I didn’t think this book read like it was written by a woman, but there’s a comment on GoodReads from the writer’s granddaughter which says otherwise. My review should be appearing in the next week or two.

A Kill in the Morning, Graeme Shimmin (2014), I read for Interzone. Hitler victorious alt history with a nameless narrator who owes a little too much to James Bond.

Aurora: Beyond Equality, Vonda N McIntyre & Susan Janice Anderson, eds. (1976). I was in two minds whether to review for SF Mistressworks, since it contains three stories by male writers. But it was put together as a feminist sf anthology, the first of its kind, so I felt it too important a document in the history of women in science fiction to ignore. Review to appear in the next couple of weeks.

Robinson_Shaman_HCShaman, Kim Stanley Robinson (2013), I originally intended to be part of my Hugo reading, but I never got around to it at the time – not that it seems to have made any difference, anyway. And, to be fair, it would be stretching the definitions of science fiction and fantasy both past breaking point to categorise this book as either. It’s a year in the life of a twelve-year-old boy – a near-adult – in Europe some 32,000 years ago. The story was apparently inspired by the paintings in the Chauvet Cave, as filmed by Werner Herzog in his Cave Of Forgotten Dreams. I was mostly carried along by the story, although on occasion it didn’t quite convince. The Neanderthals were good, though.

A Man and Two Women, Doris Lessing (1963). I have previously found Lessing a bit hit and miss for me, often in the same novel – but I did like most of these stories. Especially the Lawrentian title story. ‘England vs England’, however, is more of a Lawrence pastiche, but I wasn’t convinced by Lessing’s attempt at portraying South Yorkshire characters. The stories set in South Africa, by comparison, were much more successful, particularly ‘The New Man’. Also good were ‘Between Men’, about a pair of mistresses, and ‘Notes for a Case History’, a potted biography of a young woman with aspirations to rise above her working-class origins.


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A mountain of words

It’s been a while since my last book haul post – two months, in fact – which goes some way to explaining the number of books which appear in this one. Someone needs to put more hours in the day so I can actually get around to reading some of them…

This year, of course, is the Durrell Centenary. So I’ll be rereading The Alexandria Quartet at some point, and I thought I’d buy myself the new paperback edition so I could do so. The CD is a collection of poetry readings, interviews and, er, Durrell singing.

Ballard is not a young man’s writer – not enough shit gets blown up, for a start; and then there’s that cynicism – so while I’ve read many of his stories and books over the years it’s only in the past few I’ve come to really appreciate his fiction. As a result, I’ve been building up a small paperback collection of his books – and they are attractively packaged paperbacks, these 4th Estate ones.

I am not, it has to be said, a particularly big fan of all the titles that have appeared in the SF Masterworks series, and most people don’t spend money on books they know they don’t especially like… but… they make a set. They’re packaged to look the same – or they were until they revamped the entire series. And some of them really are genre classics: Hyperion and The Fall of Hyperion, certainly; and much as I loathe Harlan Ellison and his works, I have to admit Dangerous Visions was an important anthology.

From my trawls through various charity shops some books from the would-like-to-read list. I’ve been working my way through Litt’s alphabetical oeuvre, though none have especially impressed me so far. McCarthy should only be read when you’re feeling unaccountably cheerful and would like to torpedo your good mood. The Satanic Verses is infamous, but I’ve never read it. The Mailer was a swap from readitswapit.co.uk, and I’m  not sure why I bought The Apple.

So Long A Letter is May’s book for this year’s reading challenge (see here). Cyclonopedia has been repeatedly recommended by Jonathan McAlmont, and Berit Ellingsen is one of the contributors to Rocket Science (plus, the cover art of The Empty City is the National Congress building in Brasilia – see later).

A pair of 2012 hardbacks: I pre-ordered Ison of the Isles as I was so impressed with its preceding volume, Isles of the Forsaken (see here). And Stonemouth is Banks. Enough said.

The Steerswoman’s Road is an omnibus of The Steerswoman and The Outskirter’s Secret. I’ve read the first, but not the second. The other three books are ones I want to read. Palimpsest was a charity shop find, The Godless Boys was from Richard Palmer in payment for a copy of Adrift on the Sea of Rains, and The Dervish House was from an unmentionable and unmentionably large online book retailer.

Three genre titles for the collection – both Remaking History and Moon Dogs are signed (and those two authors pretty much describe the two endpoints of the type of sf I like best). The Ice Monkey is really hard to find in hardback but I lucked out.

I collect first editions by Anthony Burgess, and I’m interested in the works of DH Lawrence, so Flame into Being neatly covers two of my literary interests. The Nylon Pirates is one of Nicholas Monsarrat’s potboilers – he managed to write potboilers and literary fiction with equal facility if somewhat variable results. A Division of the Spoils is the third book of the Raj Quartet, and Disguise for a Dead Gentleman is DG Compton in his initial guise as a crime writer. I expect good condition first editions of those early “Guy Compton” books are extremely difficult to find, so this tatty one will have to do.

I spotted mention of these chapbooks by Michael Swanwick from Dragonstairs Press somewhere and decided to take a punt on them.

If I ever visit Brazil, it won’t be for the carnival, the beaches, the cocktails, the culture… it’ll be to see the buildings in Brasilia. I love the fact that even unfinished, or badly weathered, they still embody the optimistic future past decades imagined we’d all share. The man chiefly responsible, of course, was Oscar Niemeyer. Eastmodern is more Warsaw Pact architecture, a collection of photographs of modernist buildings in Slovakia, and some of them really are quite skiffy.

The giant book on ekranoplans was research for a story, honest. Or it will be when I’ve thought of an idea for story which has ekranoplans in it. Well, I managed it for flying boats (see here), so anything’s possible. Besides, if Sebastian Faulks can include one in his 007 novel Devil May Care, why shouldn’t I? Marswalk One is one of several Mars book I now own and which I will use as research while writing the second book of the Apollo Quartet (I got it very cheap on eBay). Dark Moon is one of those fake Moon landing nutjob books, and I thought it might prove entertaining. The Fallacy of Fine-Tuning is also research for Apollo Quartet book 2.