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BSFA and Kitschies – the shortlists

Two genre shortlists announced in one day, UK ones too. First, the BSFA Awards, for which I nominated works (see here), and usually vote. The four shortlists look like this:

Best novel
The Race, Nina Allan (NewCon Press)
Cuckoo Song, Frances Hardinge, (Macmillan)
Europe in Autumn, Dave Hutchinson (Solaris)
Wolves, Simon Ings (Gollancz)
Ancillary Sword, Ann Leckie (Orbit)
The First Fifteen Lives of Harry August, Claire North (Orbit)
Lagoon, Nnedi Okorafor (Hodder)
The Moon King, Neil Williamson (NewCon Press)

Well, three of my nominations made it – Hutchinson, North and Williamson. The Allan and and Leckie are no surprise – the first because it’s probably the most talked-about UK sf novel of 2014 among the people who nominate for the BSFA, and the Leckie because of Ancillary Justice‘s huge success. Also, is this the first time the BSFA Award has more women than men on the novel shortlist? I think it might well be. The large shortlist does, however, suggest that the actual number of nominations to make it through were somewhat low. Which, if true, is in one respect slightly worrying, but also heartening in that it demonstrates last year was pretty damn good for UK sf novels.

Best short fiction
‘The Honey Trap’, Ruth EJ Booth (La Femme, Newcon Press)
‘The Mussel Eater’, Octavia Cade (The Book Smugglers)
Scale Bright, Benjanun Sriduangkaew (Immersion Press)

None were nominated by myself. In fact, I’ve read none of them. An all-female list, too. The less said about Sriduangkaew’s presence, the better.

Best non-fiction
Call and Response, Paul Kincaid (Beccon Publications)
‘Deep Forests and Manicured Gardens: A Look at Two New Short Fiction Magazines’, Jonathan McCalmont (Ruthless Culture)
Science Fiction and Fantasy Writers and the First World War website, Edward James, ed.
‘The State of British SF and Fantasy: A Symposium’, Strange Horizons
Greg Egan, Karen Burnham (University of Illinois Press)

Surprisingly, two of my nominations made it through – Kincaid and Strange Horizons – and while I nominated another blog post from Ruthless Culture, it’s good to see McCalmont getting some recognition.

Best artwork
Cover of The Mirror Empire by Kameron Hurley, Richard Anderson (Angry Robot Books)
Cover of Bête by Adam Roberts, Blacksheep (Gollancz)
The Wasp Factory sculpture, Tessa Farmer
Cover of Wolves by Simon Ings, Jeffery Alan Love (Gollancz)
Cover of Mars Evacuees by Sophia McDougall, Andy Potts (Egmont)

Another surprise: two of my choices made it onto the shortlist. I didn’t attend Loncon3, so I didn’t see the Wasp Factory sculpture. Blacksheep won the BSFA in 2013, for the cover of… an Adam Roberts novel (and this is Blacksheep’s third time on the shortlist with a Roberts cover). The Mirror Empire has been much discussed since its publication, although I admit I can’t see the appeal of its cover art. And I see there’s now a hardback edition of Mars Evacuees (US, perhaps?), with much inferior cover art.

Congratulations to all the nominees, and I know who I hope will win each category.

The other UK genre award announced today is the Kitschies, a juried award, which also has four categories: Red Tentacle (novel), Golden Tentacle (debut novel), Inky Tentacle (cover art) and, new this year, Invisible Tentacle (“natively digital” fiction). The shortlists look like this:

The Red Tentacle
Lagoon, Nnedi Okorafor (Hodder & Stoughton)
Grasshopper Jungle, Andrew Smith (Egmont)
The Peripheral, William Gibson (Viking)
The Way Inn, Will Wiles (4th Estate)
The Race, Nina Allan (NewCon Press)

I’ve read only the Allan and I didn’t think it quite gelled as a novel – which was why I didn’t nominate it for the BSFA.

The Golden Tentacle
Viper Wine, Hermione Eyre (Jonathan Cape)
The Girl in the Road, Monica Byrne (Blackfriars)
Memory of Water, Emmi Itäranta (Voyager)
The Long Way to a Small, Angry Planet, Becky Chambers (self-published)
The People in the Trees, Hanya Yanagihara (Atlantic Books)

I’ve heard of the Byrne and Itäranta, but the others didn’t even ping on my radar. The Guardian is making a big thing of a self-published novel being shortlisted for the award, conveniently forgetting that a self-published novel won the Aurealis Award for Best Fantasy Novel in Australia last year and a self-published novella won the BSFA in 2013. Oh well, yesterday’s news and all that.

The Inky Tentacle
Cover of The Ghost of the Mary Celeste by Valerie Martin, X (Weidenfeld & Nicolson)
Cover of A Man Lies Dreaming by Lavie Tidhar, Ben Summers (Hodder & Stoughton)
Cover of Through the Woods by Emily Carroll, Emily Carroll and Sonja Chaghatzbanian (Faber and Faber)
Cover of The Book of Strange New Things by Michel Faber, Rafaela Romaya and Yehring Tong (Canongate)
Cover of Tigerman by Nick Harkaway, Glenn O’Neill (William Heinemann)

The only one of these I own is the Tidhar, and  didn’t really like the cover (I liked the book, though). The Faber and Harkaway I’ve seen.

The Invisible Tentacle
@echovirus12 (Twitter fiction), created/curated by Jeff Noon (@jeffnoon), Ed (@3dgriffiths), James Knight (@badbadpoet), violet sprite (@gadgetgreen), Richard Biddle (@littledeaths68), Mina Polen (@polen), Uel Aramchek (@ThePatanoiac), Graham Walsh (@t_i_s_u), Vapour Vox (@Wrong_Triangle)
Kentucky Route Zero, Act III, Cardboard Computer
80 Days, Inkle Studios
Sailor’s Dream, Simogo

Again. congratulations to all the nominees.

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My BSFA nominations

I’m not really a big fan of popular vote awards, but having been a member of the British Science Fiction Association for over twenty years, and having attended, on and off, the annual Eastecon for around the same period, I’ve usually voted in the BSFA Award. I’ve also found that the shortlists frequently align quite well with my own tastes in the genre – something, obviously, that isn’t all that surprising when you’re a member of the core constituency.

Recent years have seen several changes to the awards. While the categories have finally settled at four – novel, short fiction (ie, any length shorter than novel), non-fiction and art – rules on eligibility have been affected by the advent of the internet and ebooks. Novels have to be published in the UK in the previous calendar year, which is pretty straightforward. Unless – and this is a fairly recent change – they’re ebook-only, in which case, as long as they’re available to UK residents (except the new EU VAT rules on digital products may scupper that from 2015 onwards). Back in the 1990s, short fiction also had to be UK-published, but now there is no such restriction. Likewise for non-fiction and art.

This year, however, a couple of more fundamental changes have been put in place. First, voters can now only nominate four works in each category. Previously, they could nominate as many as they wanted. And novels don’t have to be published in the UK, providing the author is British. The BSFA has also begun crowdsourcing a list of eligible works – although the list could do with some serious curating as there’s a lot of ineligible and duplicated entries on it.

This is all a long-winded way of presenting my own four choices in each category. Which are these:

novel
1 Europe in Autumn, Dave Hutchinson (Solaris)
2 The Grasshopper’s Child, Gwyneth Jones (TJoy Books UK)
3 The Moon King, Neil Williamson (NewCon Press)
4 The First Fifteen Lives of Harry August, Claire North (Orbit)

The first two were easy picks. I’ve spent this month completing my 2014 reading, but still failed to get to some possible contenders, such as Bête, Station Eleven*, Ancillary Sword, The Girl in the Road, The Echo, Wolves, Annihilation or The Bone Clocks – all of which sounded like the sort of novels which would appeal to me and might have made the cut. Novels that didn’t make it onto my ballot, though it was a close-run thing, include The Race, A Man Lies Dreaming, The Mirror Empire and Descent.

* Having said that, I find most literary post-apocalypse novels, no matter how beautifully written, extremely banal.

short fiction
1 ‘Cimmeria: From the Journal of Imaginary Anthropology’, Theodora Goss (Lightspeed, July 2014)
2 ‘Four Days of Christmas’, Tim Maughan (Motherboard, 24 December 2014)
3 ‘Diving into the Wreck’, Val Nolan (Interzone #252, May-Jun 2014)
4

I really went off short fiction in 2014. Everywhere I looked, the same sort of genre short stories were being published, and it wasn’t a sort I much cared for. As a result, I had to do some last minute reading, which meant some skim-reading of various magazines (I only read one anthology published in 2014 and it was poor; I didn’t buy any published during the year), some clicking through of links on posts of recommendations… and even then I couldn’t actually find four pieces of short fiction I felt were any good. The three listed above were ones that stood out for me during my headlong reading. It’s not the best way to pick something for an award, but then is there a best way?

non-fiction
1 Call and Response, Paul Kincaid (Beccon Publications)
2 ‘The State of British SF and Fantasy: A Symposium’ (Strange Horizons, 28 July 2014)
3 ‘Short Fiction and the Feels’, Jonathan McCalmont (Ruthless Culture, 6 October 2014)
4 Nina Allan’s “live blogging” of her read of The Mammoth Book of SF Stories by Women (The Spider’s House, November 2014)

Paul Kincaid has been an insightful genre critic for a long time, so a collection of his essays gets my first pick, especially since the book contains pieces on many of my favourite genre writers. The Strange Horizons Symposium I thought particularly well done, and I’m surprised it didn’t generate more comment. McCalmont has been writing some really interesting stuff about genre fandom for a while now, but I thought his piece on current short fiction was especially good. Allan is one of my favourite online genre critics, and her extended review, over some twenty posts, of The Mammoth Book of SF Stories by Women was a text-book example of the right way to review a large anthology.

art
1 Cover of Mars Evacuees by Sophia McDougall, Andy Potts (Egmont)
2 Hyperluminal, Jim Burns (Titan Books)
3 Cover of The Gospel of Loki by Joanne M Harris, Andreas Preis (Gollancz)
4 Cover of Wolves by Simon Ings, Jeffrey Alan Love (Gollancz)

mars_evacuees hyperluminal The-Gospel-of-Loki ings-wolves

My first choice was an easy pick. That really is a striking piece of cover art. I wasn’t sure whether Hyperluminal counted as art or non-fiction, but it’s a book about art, and I’ve always loved Jim Burns’s art, so I’m putting it here. I then spent one evening last weekend trawling through SF Signal’s forthcoming books posts for inspiration… and both The Gospel of Loki and Wolves jumped out at me. So to speak.

ETA: Apparently, the art award is for “single image” only, which means Hyperluminal is ineligible. So I need to find something else to nominate instead. I’ll update this post when I’ve found something, but for now I’ll Hyperluminal in place even though I’m not nominating it.