I’ve been very good recently – not only have I not added greatly to the To Be Read pile, but I have also pruned my collection of a few hundred paperbacks. Well, they were just sitting there, taking up shelf-space. I was never going to read them again; and some of them are readily available in charity shops and the like, so should I want to reread them I can easily pick up copies. So now I have a bit more room on the book-shelves. Which, of course, shall soon fill up. But only with deserving books…
Anyway, since the last one of these posts I have bought only the following books:
The new Banks, Surface Detail, which I plan to read soon-ish; the latest in Philip Kerr’s Bernie Gunther series, Field Grey; and an omnibus edition of The Secret History Volume 1 by Jean-Pierre Pécau, Igor Kordey and Leo Pilipovic, a graphic novel detailing the exploits through human history of four immortals each gifted with a powerful magic rune.
Two non-fiction books: the title of the first pretty much describes its contents: Convair Advanced Designs. It’s about planes. The second, MoonFire, is a re-issue of Norman Mailer’s 1971 book about the Moon landings, Of A Fire on the Moon, but as a coffee-table tome by Taschen, with many, many excellent photographs. There’s a signed limited edition which costs around £600, and a “Lunar Rock Edition” priced from 60,000 to 480,000 Euros (because each of the 12 copies includes a piece of Moon rock). Mine is the bog-standard £27.99 edition. If you buy only one coffee-table book about Apollo, this looks to be the one you should get.
Here’s a pair of 1960s novels by a pair of forgotten British science fiction writers: Implosion by DF Jones, and 98.4 by Christopher Hodder-Williams. Look at the awful cover art. They don’t do cover-art like that anymore. I’ll be posting reviews of them here, just as I did for No Man Friday (here) and A Man of Double Deed (here).
Finally, a trio of first editions: The Insider by Christopher Evans; Johnnie Sahib, Paul Scott’s debut novel; and Twice Ten Thousand Miles by Frances Lynch. Yes, that last one is a romance historical novel, and the reason I purchased it is because Frances Lynch is a pseudonym of DG Compton. I’m quite looking forward to finding out how the perennially pessimistic and sardonic Compton handles romance historical fiction.