It Doesn't Have To Be Right…

… it just has to sound plausible

Ahead of His Time?


Since one Stephenson has been reviewed and interviewed just about everywhere recently, I thought I’d be deliberately perverse and post an old review of a novel by an entirely different Stephenson.

In the late 1970s, Orbit published two novels by Andrew M Stephenson. The first of these was Nightwatch in 1977. While it initially seems very much a British science fiction novel of its time, it did promise a career to watch.

Dan Frome is a British engineer sent to Dvornik Moon-base in 2006 to oversee the installation in Jupiter probes of the artificial intelligences he’s invented, the Golems. But this, it transpires, is just a cover story. An alien spaceship has been detected en route to Earth. Frome’s Golems will actually be going into weapons platforms sent out to intercept the alien craft. And everyone on the Moon is stuck there for the duration. The inhabitants of Dvornik are not happy about this involuntary exile, especially since Earth itself is on the brink of war. By the time the weapons platforms are ready and in place, their homes could well have gone up in smoke.

Various secret factions within the Moon-base try to recruit Frome. Or kill him: he narrowly escapes one attempt on his life. Making matters more complicated is Frome’s belief that his Golems are not capable of the job for which they are being used. There is a fundamental flaw in their thought processes. Frome manages to persuade his superiors that someone has to accompany the weapons platforms, and be there with them to oversee the Golems. He is the only man for the job.

At which point, the narrative of Nightwatch abruptly shifts from its earlier first-person to third-person. Frome is sent out with the weapons platforms to Jupiter orbit. The alien craft draws near. One by one, the Golems malfunction. Frome brings them back on-line, and succeeds in returning enough functionality to them so they can attack the alien. But the weapons platforms seem to have no effect.

Up to this point, Nightwatch could best be described as 1970s hard science fiction. Perhaps more literate than others of its ilk – as testified by its first-person narrative, and the switch to third-person – there was little in Nightwatch‘s story which differentiated it from similar novels of its time. But the aftermath of the attack on the alien craft marks an abrupt change in science fiction mode. The alien, Frome learns, is a trader, and it carries a portal linking it to a vast galactic transport network. Frome passes through this portal… and discovers a galaxy rich in life, with a civilisation so old that its beginnings are long forgotten. No one, in fact, remembers who built the original transport network. There are echoes of 2001: A Space Odyssey in this, but there is also something about the concept which reminds me more of late 1980s and early 1990s science fiction by the likes of David Brin, or William Barton and Michael Capobianco.

Frome returns to Earth in the alien craft. The narrative returns to first-person. Earth has destroyed itself, but Dvornik Moon-base still survives. However, the planet can be rebuilt with the alien traders’ help.

I’ve no idea what reception Nightwatch received in its year of publication, but I would guess that it didn’t compete well with much of what was being published at that time. Compared to The Mote in God’s Eye, or Ringworld, it is too considered a novel, too British in tone, too dour, to have proven popular. Where US authors were writing shiny happy futures, infused with can-do optimism and an almost combat-engineering approach to problems and difficulties, Nightwatch is a story set in a decaying future, the end of Empire, where solutions are cobbled together from bits and pieces that used to be parts of something else that once upon a time worked…

Until that odd shift to space opera and pan-galactic civilisation.

While this shift fits within Stephenson’s story, it’s certainly not signalled by anything which has gone before. The mix of dour hard SF and optimistic space opera works well – and there’s a nice dichotomy at work, in the appearance of these galactic saviours as Earth bombs itself into oblivion – but only a persistent reader would get far enough to discover this.

Perversely, I think Nightwatch probably reads better now than it did thirty years ago. With a little updating, Nightwatch would not appear out of place on the science fiction shelves of today’s book shops. Which may be why Stephenson wrote only a pair of novels before falling silent. He was ahead of his time.

A shame.

10 thoughts on “Ahead of His Time?

  1. Yeah. “Nightwatch” was good stuff. His other novel “The Wall Of Years” was even less likely to go down well in the States, having an English time-traveller go back to Saxon times.I remember David Garnett introducing me to Andrew M at some con or other and saying that he was going to be having another book published soon. I wonder what happened.

  2. I did have a copy of The Wall of Years but I’ve no idea where it’s gone. I think I’ve read it too, but I can’t remember. Ah well. I’ll just have to pick up another copy at a con.I met Andrew at a few cons back in the 1990s. Nice bloke. I think he had a story in an anthology around that time, too. One of Garnett’s New Worlds?

  3. You’d think you could find anything on the internet these days, but after reading this book and being very impressed I went looking for Andrew Stephenson information and he doesn’t even rate a Wiki entry.

    With the exception of some political miscalculations–the Soviet Union is still very much in existence in the time frame of the book, but who saw that coming in the 70’s?–the book holds up well over the years. Stephenson has writing chops to spare, and moves the story along at a “can’t take your eyes off it pace”.

    I’d like to know what happened to him. I know this thread is two years old, but if you (or anyone who reads this) has any updated information I would appreciate a heads up. You can reach me at outerbankswriter at gmail dot com.

    Thanks for posting this.


    • Eh, reply to get updates to this post. Forgot to click.

      • I met Andrew a couple of times at cons in the early 1990s. He contributed a story to the relaunched New Worlds in 1997, but I’ve no idea what he’s been doing for the past 13 years.

        I should really dig out my copy of his The Wall of Years and stick a review of it up here.

  4. Ian,

    I was moved to write a small blurb for Amazon and included a link to this thread to save some redundant typing. Hope you don’t mind, and if so, I can easily edit it out.



  5. Pingback: I am not a book blogger… « It Doesn't Have To Be Right…

  6. I first read the novel a boy and although parts of the plot were not-so-interesting back than, I always liked the book and especially the part where Prom tries to convince the “fortresses” to attack the alien ship. Some scenes from the book I’ve always remembered from childhood.

    I grabbed the book years later to fully enjoy the whole plot and to discover it’s a hidden gem which deserves much much much more mentioning in the history of science fiction.

    There’s something about the dark, pessimistic and the claustrophobic theme that really sticks with you after you finish reading it…

    Superb book.
    Thanks for the entry.

    I wish there was some way to contact the author to thank him…

  7. I worked with Andrew, in electronic engineering, before he left to concentrate on writing. I believe his original contract was a three book deal, and always wondered what happened to the third. I was briefly in contact with him later in the heady days of diy computing when I was writing assemblers, but never found out what happened to the third book, or indeed to Andrew. Andrew was also a talented artist, and was engaged to illustrate Analog stories.

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