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Category Archives: my fiction


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2012 is dead, long live 2013

This happens every year at this time – you look back at the year just ended, remember the good bits and try to forget the bad bits; you look ahead to the year just begun, and try to convince yourself it will be better than even last year’s best bits, or that you have any control over how it will turn out… Shit happens, the road to hell, etc, etc.

Which doesn’t mean you shouldn’t make an effort, of course. You may not, for example, be able to land yourself a book contract, no matter how wonderful your novel is, but if you don’t write the damn thing you stand even less chance. (Though debut novelists have been offered contracts before writing their novels.)

Likewise, the most reliable method of getting short fiction into print seems to be the Shotgun Method. Write as many stories as you can, submit them as many times as you can… Someone somewhere will usually buy them. Then you too can be ubiquitous, and subsequent sales will get easier.

In other words, Hard Work helps. But there are no guarantees. Certainly short cuts don’t always do the trick. There are stories of self-published authors selling phenomenally well, and subsequently being picked up by big publishing houses. They are in a very tiny minority. Most books published by anyone other than major publishing houses or long-established small presses are ignored. For instance, Rocket Science, published by Mutation Press, received plenty of positive reviews when it appeared back in April 2012. But it is also notably absent from lists of “best anthologies of the year”. I didn’t expect Adrift on the Sea of Rains to make it onto any lists – around 300 people, at a guess, have read it, and none of them were commentators with a large footprint within the genre. New small press… self-published… A not-unexpected result.

I worked quite hard during 2012 promoting those two books, but I suspect my message didn’t travel much beyond my own circle of friends, acquaintances and those I talk to within the genre. That’s as far as my “platform” reaches at present. It grew during 2012 – a little – but that sort of organic growth is too small and too slow to bounce my work to the next level. Because I made a tactical error in 2012: I spent so much time promoting Rocket Science and Adrift on the Sea of Rains, and writing The Eye With Which The Universe Beholds Itself, that I didn’t write any short fiction. And I need to do that in order to get my name out there…

So that’s one resolution for 2013. (I suspect it may have also been a resolution for each of the past few years.) I will write more short stories in 2013, I will submit more short stories in 2013. I have a bunch sort of started but far from finished, and I’ll  focus initially on them. Unfortunately, my desire to not write the sort of science fiction currently appearing in genre mags and on genre websites may somewhat limit my chances of success. Take my current work in progress: I was hoping to have it done for 31 December 2012, the deadline for Eibonvale Press’s new railway-themed genre anthology, Rustblind and Silverbright. Have yet to actually finish it. And it’s going to be a hard one to sell. ‘The Incurable Irony of the Man Who Rode the Rocket Sled’ is barely science fiction, and barely has a plot. It’s sort of “magical realism with astronauts” (as my story ‘Faith’ was once described), except it has no astronauts in it.

I do have other stories to work on. Sorry, no exploding spaceships. No spaceships at all, in fact. I have two novellas I’d like to complete – one of them is an expanded version of ‘The Contributors’. There’s also book three of the Apollo Quartet, Then Will The Great Ocean Wash Deep Above; and possibly book four, All That Outer Space Allows. I have three novel ideas for which I need to write the first three chapters. I’d also like to see if I can do anything with my Nanowrimo effort from 2011.

And that’s just on the writing side. (You do realise, of course, that most of this will go undone, because… things.)

Oh, and I also experimented in 2012 with publishing a limited edition chapbook. It started out as a bit of a joke, but the twelve copies of Wunderwaffe I produced all sold. I then put it up on Kindle, where it has also sold (thought not in huge numbers). I’m planning to do something similar to another of my previously-published short stories, but I haven’t decided which one yet. I might do it to more than one…

On the reading side, I’ll be continuing to review books for SF Mistressworks. In the absence of other regular reviewers – I do have some irregular reviewers, however – I’ll have to read at least one suitable a book a week. That’s going to be a tough schedule to meet. I will need help. Please.

There’s also the TBR, which reached epic proportions several years ago. Over Christmas just gone, for example, I read The Thousand Autumns of Jacob De Zoet, and realised afterwards with some embarrassment that I’d bought the book in November 2010. That’s actually not too bad – it’s taken me ten years to read some of the books I own. And that’s despite reading 153 books during 2012 – twelve down on the previous year’s total; in fact, the number has been steadily dropping since 2008. I suspect the number of books I’ve bought each year, however, has been steadily rising…

So, in 2013, I want to read more sf by women writers, more Malcolm Lowry, more Paul Scott, more recent genre books that interest me, more literary fiction… more good books. I also want to read much more genre short fiction. That’s going to be another resolution – to read genre short fiction regularly. But only if it interests me. I’ll happily bail on a story if it’s not working for me. But by the end of the year, I should at least be able to make some informed choices for the BSFA Award. I’ll also be including a top five of short fiction in my end of the year round-up post.

I’ll not bother with resolutions for films or music. Each year, I try to get to at least one gig a month. I don’t always make it, but by year’s end I’m usually not far off. For the record, it was 11 gigs in 2012, including Bloodstock. The best one should have been Anathema and Opeth in Leeds in November, but the venue was awful – over-packed and over-heated – and ruined the experience. Insomnium and Paradise Lost back in April might be the best, or perhaps it was local bands Setsudan and Northern Oak supporting Evil Scarecrow in October.

There’s no point in resolving to go to the cinema more often, because I only go if there are films I really want to see being shown. There were three in 2012, which is something of a record for me – at least since I left the UAE, where I lived just around the corner from an excellent cinema. There might be one or two movies I’d be willing to shell out £13 to see in IMAX 3D in 2013, but we’ll have to see. I will, however, continue to watch DVDs by my favourite directors, as well as trying new ones – mostly foreign-language, of course. And the really good films, I will write about here…

…Because I will continue to blog. I don’t think I could stop, to tell the truth. Posting once or twice a week is a good schedule to keep, but I suspect I won’t be able to maintain that level. I didn’t in 2012. This year, I’ll retire the Rocket Science News blog, since it’s served its purpose. It’ll stay up, but I won’t post to it anymore. Besides I have enough on with this blog, SF Mistressworks, the Whippleshield Books blog, and my Space Books blog (which I really must post to more often). I’ll remove the sf poetry blog – and perhaps work on some of the poems from it and start submitting them. I’ve only had two poems published to date, I really should start sending out more.

2012 was a bit of a convention-going year for me, although more by accident than design. Lavie Tidhar persuaded me to attend the SFX Weekender in February in Prestatyn. Much fun was had. Then there was the Eastercon in Heathrow, where I launched Rocket Science and Adrift on the Sea of Rains and nearly won the BSFA Non-Fiction Award for SF Mistressworks (it’s still eligible, by the way). Shortly after that, it was alt.fiction in Leicester, then Edge-Lit in Derby, and in November, Novacon in Nottingham. I’m not planning to attend as many cons in 2013.

Outside of genre and literature and music and cinema, 2012 was a bit meh. Some family issues were resolved. I spent Christmas in Denmark yet again, and saw some snow on the first day – but it rapidly disappeared and the weather remained wet and drizzly and dull. Santa brought me some books I want to read and some DVDs I want to watch. Oh, and some socks. The food was good, the visit to Louisiana, a modern art museum, was fascinating, and much as I hate Christmas it was a pleasant way to spend it…

And there you have it. 2012 is dead, long live 2013. I’m hoping it’ll be a good year, but it’ll be what it’ll be. That’s the way it works, you know. Life. Huh.


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Artistic license reviewed

I review books – for Interzone, for Vector, for SFF Chronicles (though not as often as I should), for SF Mistressworks, for Daughters of Prometheus, even here on my blog. I have been reviewing books since the late 1980s.(My first published review was of CJ Cherryh’s The Tree of Swords and Jewels in the BSFA’s review magazine, Paperback Inferno, in October 1988. I vaguely recall not liking the book.) I am not a critic, nor do I consider my writings about books to be criticism. I leave that kind of in-depth analysis to those who have the necessary tools to do it.

I have also been on the receiving end of reviews – more so this past year than in any other. In two capacities: as the writer of the text being reviewed, and as the editor of the book under review. On the whole, it’s been very informative. I knew when I wrote Adrift on the Sea of Rains that it was atypical and possibly difficult. I suspected its appeal was limited. Happily, it seems to have transcended that and the vast bulk of reviews have been positive and very complimentary. Many of them have also been quite insightful, pulling out things I’d hadn’t realised I’d consciously put in the story. But that’s what happens with good reviewers.

Which is not to say that good reviewers can sometimes get it wrong. Martin McGrath felt Dan Hartland’s review of his story in Rocket Science on Strange Horizons missed an important point, and so he responded to it in a blog post. Dan’s review is, in the main, a good, insightful review. I think it’s clear he and I differ on what science fiction is and needs to be – for one thing, I don’t feel Rocket Science is “weirdly old-fashioned”. If anything, the current fashion for hand-wavey sentimental sf harkens back to an older form of the genre, although the current form is generally far better written. Dan also comments on diversity in his review, pointing out that only five of the twenty-two contributors to the anthology are female. Rocket Science was open submission, so there wasn’t much I could do about that. But it’s bending the point a little to present the contents as being wholly male-centric, especially when the review fails to mention, for example, Deborah Walker’s ‘Sea of Maternity’, a story about a single mother and her unruly teenage daughter. In point of fact, as this post shows, 23.53% of the stories featured female protagonists.

But that’s a minor quibble, and I think Dan’s review of Rocket Science is a good and useful review.

Which is more than can be said for this review of Adrift on the Sea of Rains…

Yes, there is a typo on the first page of the book: “sussurus” should be “susurrus”. There’s nothing I can do about that in the paperback and hardback editions. I’ve not bothered fixing it in the ebook edition, but I will do when I publish the second book of the quartet, The Eye With Which The Universe Beholds Itself. Typos happen, and while I should have caught that one, it did slip by a lot of other people as well.

I can understand someone having trouble with the prose style of Adrift on the Sea of Rains – no quotation marks! – and as a result not liking it. And so bailing before finishing it. I can comprehend a reader finding the subject not to their taste and so choosing not to read to the end. But, come on, giving up after a page because there are three (far from wildly obscure) words you don’t understand? That’s no excuse.

And to further suggest that it’s bad craft is insulting.

I do not believe in dumbing down my prose. I am not writing for people with limited vocabularies. I am writing for intelligent adults, because that’s what I consider my peers to be. I will not insult the intelligence of my readers because, as a reader, I loathe writers (or film-makers) who insult my intelligence. I may not always be successful in communicating precisely what I intended to communicate, but recasting it in words of one syllable is not a solution. I like writing “difficult” fiction, just as much as I enjoy reading “difficult” fiction. That difficulty, to my mind, adds value. It’s not just some slick superficial entertainment, but also something that makes you think, makes you reconsider your views and knowledge. Science fiction is particularly well-suited to that task – though the bulk of it fails to do more that bolster existing prejudices. I write about things that interest me and try to shine a new light on them. I don’t do “idea”. In fact, I’m becomingly increasingly convinced that the focus on idea is what continues to cripple science fiction. As long as you privilege idea, your fiction will not be taken seriously outside genre circles. And success within the genre is a poisoned chalice…

Science fiction is a small field, struggling to survive within the shadow cast by its history. There is also a very large elephant in the room of science fiction. (And I’m mixing metaphors, but never mind.) Past masters continue to provide topics within the genre conversation, despite no longer being relevant, of generally poor quality, and less available than in the past. Media sf is so popular the entire genre is believed to be the same as it – but science fiction is far from homogeneous. The sf works which receive general acclaim these days are ones that are not published as sf. Far from breaking down the walls of the ghetto, the tools of sf have leaked out but most of the readers and writers have refused to leave. This is not a healthy state of affairs.

There have been attempts in the past to re-engineer science fiction. While each ultimately failed, they did shift the genre in its course a little. Myself, I’d like to see science fiction stripped back to its roots and rebuilt for the twenty-first century, but that’s never going to happen. People are too happy with their tropes, no matter how old they are or how little sense they make in the current day.

I wrote the first two books of the Apollo Quartet as science fiction, and I set up Whippleshield Books as a science fiction small press. I consider myself a writer who writes in a sf mode. I use science fiction in my writing, I don’t actually write science fiction.

Perhaps the difference exists only in my head, but it’s enough for me.

EDIT: the review of Adrift on the Sea of Rains was also posted on Amazon.com with the heading “Artistic licence revoked!”. Hence, er, the title of this post… But I see now that’s he’s changed it… And reduced it to one-star. Yay, my first one-star review!

EDIT 2: “JL Dobias” has removed the “review” of Adrift on the Sea of Rains from his blog, so the link now points at some random blog post on “Gee Wiz” and “Wiz Bang” sf. The review on Amazon has also been removed, and the Goodreads review has been rewritten and now gives the book three stars rather than the original one. Dobias has thoroughly covered his tracks, so now only his comments here on my blog – all of which were from an email address belonging to a “Luci” – are all that remain of the whole farce. Given my dealings with Jerry/Luci, I suggest they’re best avoided.


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Nazi super science!

For those of you who fancy something a little different to read, I’ve published my story Wunderwaffe on Amazon for the Kindle. It originally appeared in the anthology Vivisepulture, edited by Andy Remic and Wayne Simmons, and published by Anarchy Books in December 2011. Lavie Tidhar wrote a very nice review of Wunderwaffe on his blog here.

Oh, and it’s very cheap – a mere 77p from Amazon UK and only $1.25 from Amazon US.

bell


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Did we get there?

Peter Tennant has reviewed Where Are We Going?, edited by Allen Ashley and published by Eibonvale Press, in Black Static #31. The anthology contains my bathypunk story, ‘The Way The World Works’, and Tennant says of it:

“… the story beguiling with its elaborate build up and the mythic resonances attendant upon its final revelation, but having arrived at his destination Sales doesn’t seem to know what to do and so the story fizzles out with the literary equivalent of an actor knowingly winking at the audience. It felt anti-climatic.”

It’s always fascinating to see what other people make of your fiction. To me, the last line was the story’s payload. Nor do I believe in neatly-tied up endings – see Adrift on the Sea of Rains, for example. But I can’t control how people read my fiction; and a story’s success lies as much in how people read it as it does in how well I’ve written it; if not more so.


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Another visit to the Red Planet

Jupiter XXXVIII: Pasithee is now out and features six excellent short stories, and a small poem by Yours Truly. The poem is titled ‘Rainbow Mars’ and is chock full o’references to the Red Planet of fact, fiction and myth.

It’s worth getting hold of Jupiter. It’s published some very good fiction over the years, and has maintained an enviably regular publishing schedule.


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99 shades of grey

Who needs BDSM when you can have CSM or LM? Who needs fifty shades of grey when you can have so many more shades? Just look at the photo below. That’s the Moon, that is.

And that’s where Adrift on the Sea of Rains, the first book of the Apollo Quartet, takes place. Copies are still available – in paperback, hardback, epub, mobi, or on Kindle in the UK and US. Go on and buy yourself a copy. It’s competitively-priced and it’s very good (see here).

This has been a blatantly commercial post brought to you by Whippleshield Books. Normal service will resume shortly.


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Whippleshield updates

Whippleshield Books continues in its mission to take over the world, although at its current rate this may take a millennium or two. At present, I could probably afford a couple of pebbles from the beach on the desert island where I plan to build my secret hideout in an inactive volcano…

Book two of the Apollo Quartet, The Eye With Which The Universe Beholds Itself, is coming along. Back at the beginning of July, I posted a blurb on the Whippleshield Books blog here. And at the beginning of this month, I posted the first 500 words as a teaser – see here. This book is  turning out to be a bit more ambitious than Adrift on the Sea of Rains. I’ve yet to decide if that’s good or bad, but it’s certainly resulted in more research than I’d expected.

Book three might be titled Then Will The Great Ocean Wash Deep (Above My Head For Ever). It’s a bit unwieldy, even without the part in brackets, so it could change. For the record it’s from a Homeric Hymn to Apollo. And it does sort of fit the plot. I’ve not started writing it yet, but I like to have a title as a focus for when I do begin. Even if I decide on a different title later…

The title for book four, however, is definitely fixed. It will be All That Outer Space Allows. One of my favourite films is Douglas Sirk’s All That Heaven Allows, which is why I chose it. At least it’s not a Lowryesque title like books two and three.

I have also published the first in what I hope will be a series of extremely limited chapbooks. The story Wunderwaffe was originally published in the e-anthology Vivisepulture published by Anarchy Books, and was described by Pornokitsch as “exceptional”. There are only a dozen copies available. Or rather, there were. I’ve sold some already. If you want one, get in there now.


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The numbers game: addenda

Colum’s comment on my previous post, The numbers game, prompted me to wonder how quickly I’ve placed stories – ie, how many submissions has it taken for each story I’ve written before I’ve sold it. So I went back to my trusty spreadsheet, wrangled some numbers and produced this neat little bar chart:

A couple of the stories I sold to the first place I submitted them were written specifically for anthologies. The ones which took seven or eight goes are the older stories… which does suggest I’m getting better at this lark.

Having said all that, I’ve yet to sell stories to any of the big venues, such as Interzone, Strange Horizons, Clarkesworld, or the Big Three US paper mags (though I’m not especially bothered about submitting to the last).


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The numbers game

I was thinking yesterday about how much I hate writing first drafts. I much prefer rewriting. Once I’ve got the bones of the story down on paper, I have something to shape – and it’s that process I enjoy doing. And this got me thinking about how many stories I’ve started but never finished. So I went digging through my various spreadsheets and lists of submissions, and I managed to cobble some numbers together…

started finished submitted published
flash 5 4 3 2
novel 8 5 5 0
novella 8 1 0 1
poem 21 21 8 1
short story 40 34 23 19

This may make me look quite prolific, but I’m a complete dilettante compared to some people I know. There are those who have submitted in one year more stories than I’ve ever actually finished. These numbers incidentally are mostly for the past few years. I did write and submit some short stories during the early 1990s, but my records from then are patchy so I’ve not included them. I spent much of that decade focusing on writing novels – which landed me an agent in 2005. It was only in 2008 that I started seriously writing and submitting short fiction, and year or so after that I tried my hand at poetry.

I seem to be much better at starting novellas than I am at finishing them – the only completed one is Adrift on the Sea of Rains, which I published through Whippleshield Books. Most of my poems I’ve posted on sferse, but I’ve only tried submitting a handful (without much success, it has to be said). And, while I’ve finished five novels, I’ve only submitted two complete ones to my agent; the remaining three were proposals. The above figures do not include the short stories, novellas or novels I plan at some point to have a go at but presently have nothing more than a one-line description in my ideas book.

The past six to nine months I’ve been focusing on Rocket Science, Adrift on the Sea of Rains and The Eye With Which The Universe Beholds Itself, so I’ve not had much chance to write any new short stories, or even finish off any of those I’d previously started. I really need to get back into that. So, of course, only a couple of days ago I had a good idea for a novel and I want to get some of that down on paper…


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Wunderbar

Back in December last year, Anarchy Books published an ebook-only anthology, Vivisepulture. It contains twenty-two “weird tales of twisted imagination”, including one by me titled ‘Wunderwaffe’. When editor (and author) Andy Remic had asked me for a story for an anthology of “bizarro” fiction, I’d known straight away what I wanted to write about: Nazi flying saucers. I was aware of Iron Sky – I had in fact seen an advance trailer for it – but I’d been fascinated by the whole Nazi secret science mythology for a number of years. (This had led me to attempt reading WA Harbinson’s Projekt Saucer series, but I gave up after the second book as they really are quite appallingly written.)

In the event, the story I sent Andy Remic only mentioned Nazi flying saucers in passing and focused more on the Bell, a strange Nazi secret science device I was also using in Adrift on the Sea of Rains. A few reviews of Vivisepulture appeared online, one or two of which praised my story.

Recently, a twitter conversation prompted me to send Lavie Tidhar a PDF of ‘Wunderwaffe’ for him to read. But he is – and he freely admits it – somewhat dilatory at reading ebooks. So I cobbled together a little chapbook of the story, printed it off and sent to him.

And he’s gone and reviewed it – see here. (I can also recommend Lavie’s ‘A Lexicon of Steam Literature of the Third Reich’.)

I’ve produced twelve copies of the Wunderwaffe chapbook, so there are eleven remaining. I’m tempted to put them up on the Whippleshield Books website for sale. I’m also tempted to make chapbooks of one or two other stories I’ve written – perhaps ‘Dancing the Skies’ from The Monster Book for Girls; or ‘In the Face of Disaster’ from Catastrophia. A good idea? I quite like the concept of “cottage industry” short fiction chapbooks, though I recognise it’s by no means a new idea. I’m even considering doing something similar under the Whippleshield Books imprint for short stories which meet the guidelines.