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Short, Michael Blumlein

I’ve been a big fan of Blumlein’s fiction for years, ever since coming across one of his stories in an Interzone anthology back in the late 1980s – it was either his debut story, ‘Tissue Ablation and Variant Regeneration: A Case Report’, in Interzone: the 1st Anthology (1985, UK), or ‘The Brains of Rats’, his second published story, in Interzone: the 2nd Anthology (1987, UK). Whichever it was, it inspired me to track down everything else he had written.

Which was not easy at the time. I found a copy of his first collection, The Brains of Rats (1990, USA), which had been published by US small press Scream Press and was not readily available in the UK (I forget where I bought it; it might have been at a convention). His debut novel, The Movement of Mountains (1987, USA), which was science fiction, appeared in the UK in 1989. His second novel, X, Y (1993, USA), which was horror, was only available as a US massmarket paperback.

Then there was a gap – a story every year or two, a handful of novellas, but nothing at novel-length until The Healer (2005, USA). And a decade later, a handful of collections of his fiction. Of which Short (2023, USA), and its companion volume, Long (2023, USA), are the latest. Sadly, we lost Blumlein in 2019, so when these two volumes claim to be complete, they will stay that way. He was a singular talent, and almost sui generis. His stories were carefully crafted, and always thought-provoking. Some, obviously, worked better than others, and reading Short, which contains all twenty-nine of his published short stories, the differences can be stark.

Blumlein’s debut story, ‘Tissue Ablation and Variant Regeneration: A Case Report’, first published in Interzone in 1984, is remarkable. It’s also emblematic of Blumlein’s career – somewhere on the borderline between science fiction and horror, with occasional steps entirely into one genre or the other, often based around something medical, and always with very analytical prose. ‘Bestseller’, one of his more popular stories, is a case in point: a struggling writer answers a mysterious advert, and agrees to donate bone marrow for a large sum of money to an ailing billionaire. Then other parts of the billionaire’s body begin to fail, and the writer finds himself donating more and more…

Other stories read as though they were written to a specific market – ‘Snow in Dirt’, for example, was written for an anthology inspired by fairy tales. Even the stories originally published in F&SF feel like F&SF stories, and are lighter in tone than Blumlein’s other works.

Having said that, twenty-nine Blumlein stories in succession is a little overwhelming. His prose is intense and his stories are subtle. Short is a collection to be dipped into and savoured, I think. On the other hand, I now want to reread Blumlein’s novels. Fortunately, I recently purchased a copy of The Movement of Mountains (my copies of his books are in storage). 

And, of course, I have Long still to read.