It Doesn't Have To Be Right…

… it just has to sound plausible


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Sales report

Loncon 3 is now in full swing. I am not there. After spending last weekend in a field in Derbyshire, drinking and watching a number of metal bands perform, I can’t say I’m especially bothered about missing the Worldcon (though I’m sorry I won’t have the chance to meet IRL a few visitors to the UK I know only from online). Bloodstock was good – I think I enjoyed the music more this year than last, even though initially I hadn’t been that keen on the line-up. Highlights were the sets by Obsidian Kingdom and Shining, and the crowd’s performance during Evil Scarecrow’s set. Other good stuff included Orphaned Land (twice), Rotting Christ, Winterfylleth, Old Corpse Road and Voices. The weather behaved – mostly. It hammered down on the Sunday, and everywhere got wet and muddy, but it cleared up by the evening. Security this year was much improved; the toilets were much worse. A good festival, nonetheless.

Meanwhile… these summer months so far have felt spectacularly unproductive, and there have been days when I’ve had trouble working up the enthusiasm to write, edit, or even get started on a book review… Which is not to say I’ve done nothing. It just feels like it. I’m assuming reviews count. I wrote a fair few of those during June and July. Four for SF Mistressworks, in fact: We Who Are About To…, Joanna Russ (here); Busy About the Tree of Life, Pamela Zoline (here); Worlds for the Grabbing, Brenda Pearce (here); and Judgment Night, CL Moore (here). A fifth went up this week – The Revolving Boy, Gertrude Friedberg (here) – and I have another two suitable books I’ve read but I’ve yet to start on the reviews – Aurora: Beyond Equality, edited by Vonda N McIntyre & Susan Janice Anderson; and Second Body, Sue Payer. I also reviewed Extreme Planets, edited by David Conyers, David Kernott & Jeff Harris, for Interzone (the anthology’s publishers really need to sort out its Amazon page); and I have another book sitting on this desk beside my laptop to review for them, which is, er, already late. (I’ll have it done by the end of the week, Jim. Honest.)

Whippleshield Books continues to quietly stumble along. Sales of Adrift on the Sea of Rains have just passed 1100, those of The Eye With Which The Universe Beholds Itself are over 500, and Then Will The Great Ocean Wash Deep Above has to date managed a tardy 200-or-so units sold. I’m determined to get the final book of the Apollo Quartet, All That Outer Space Allows, out before the end of the year, although at present I can’t predict exactly when. (Which reminds me: I need to buy some more ISBNs.) Aphrodite Terra, however, should appear some time next month. (The contributors were paid on acceptance, so any delay is more annoying than anything else.)

shrimpton

Also, next month, I’ll have a story in Litro magazine. The issue has a “future fashion” theme, and my story, ‘The Spaceman and the Moon Girl’, is about astronauts and space age fashion designers. Sort of. Postscripts #32/33: Far Voyager should also be out some time this year, with my story providing its title. And later this year – no date as yet – Tickety Boo Press are publishing an anthology Space: Houston, We Have A Problem, which contains my story ‘Red Desert’.

ETA: I forgot to mention I contributed a couple of Friday Fives to Pornokitsch – one on sf novels about first missions to the Moon titled, with a great deal of imagination, ‘5 Trips to the Moon’; the other about sf movies set at the bottom of the ocean, ‘5 Pieces of Soggy Sci-Fi Cinema‘.

 


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Title story

PS Publishing have released details of the next Postscripts anthology, Far Voyager Postscripts #32/33. The TOC looks like this:

  • ‘Far Voyager’ — Ian Sales
  • ‘3 A.M. in the Mesozoic Bar’ — Michael Swanwick
  • ‘Dear Miss Monroe’ — Andrew Jury
  • ‘The Case of the Barking Man’ — Mel Waldman
  • ‘One Hundred Thousand Demons and the Cherub of Desire’ — Andrew Drummond
  • ‘An American Story’ — Darrell Schweitzer
  • ‘Irezumi’ — John Langan
  • ‘Sister Free’ — Rio Youers
  • ‘A Little Off the Top’ — Tom Alexander
  • ‘Sweetheart, I Love You’ — Mel Waldman
  • ‘Winter Children’ — Angela Slatter
  • ‘A Girl of Feather and Music’ — Lisa L. Hannett
  • ‘Thirty Three Tears to a Teaspoon’ — Alan Baxter
  • ‘The Rusalka Salon for Girls Who Like to Get Their Hair Wet’ — Angie Rega
  • ‘The Psychometrist’ — Suzanne J. Willis
  • ‘Sea Angels’ — Quentin S. Crisp
  • ‘Plink’ — Kurt Dinan
  • ‘Xaro’ — Darren Speegle
  • ‘We Are Not Alone’ — Richard Calder
  • ‘The Curtain’ — Thana Niveau
  • ‘Playground’ — Gio Clairval
  • ‘What Once Was Bone’ — Gary A. Braunbeck
  • ‘Darkscapes: Three Journeys to the Night Side’ — Mel Waldman
  • ‘Services Rendered’ — Bruce Golden
  • ‘GW in the Afterlife’ — Robert Reed
  • ‘Eskimo’ — Andrew Hook
  • ‘With Friends Like These’ — Gary Fry
  • ‘An Inspector Calls’ — Ian Watson
  • ‘Confessions’ — Mel Waldman
  • ‘A Legion of Echoes’ — Alison Littlewood
  • ‘Talk in Riddles’ — Mark Reece
  • ‘The Mermaid and the Fisherman’ — Paul Park

Yup. My story is the title story. Cool, or what? There’s some good stuff in that TOC too, including a few favourite authors. No publication date as yet, but it’ll be sometime this year, I imagine.


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Another review of ‘Killing the Dead’

Gav at NextRead has reviewed my story ‘Killing the Dead’ from Postscripts 20/21 ‘Edison’s Frankenstein’ as part of his Shorty Story Month.

He says it’s “a quick clever tale that asks a serious question about what is important to humanity when travelling across the stars for journeys that will take unknown generations to complete”.

See the full review here.


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A Booktastic Haul

It’s been a while since I last did one of these, so here’s a nice photograph of the books which have arrived at my humble abode over the past week or so:

Quite a mixed bag. There’s the second of Mike Cobley’s Humanity’s Fire space opera trilogy, The Orphaned Worlds (and no, they don’t orbit Barnardo’s Star…); a new collection from one of my favourite short story writers, Helen Simpson, In-flight Entertainment; and a signed edition of Lucius Shepard’s latest Dragon Griaule novella, The Taborin Scale, from the excellent Subterranean Press (the novella is already sold out). There’s a bunch of graphic novels – two by Alan Moore: The League of Extraordinary Gentlemen (I had Volume 2, but had never read Volume 1), and Promethea Book 2. Plus the latest of the Black Widow collections from Marvel, Web of Intrigue; and a back-issue of Spaceship Away!, a magazine dedicated to Dan Dare. The huge book to the left is The Durrell-Miller Letters 1935-80, edited by Ian S MacNiven. That’s Lawrence Durrell and Henry Miller. And yes, Miller appears to be naked on the cover. To the right is The Twist in the Plotting, a rare numbered chapbook of twenty-five poems by Bernard Spencer, published in 1960 by the University of Reading. Lastly, there’s a book for work: Applied Mathematics for Database Professionals, which I plan to read when I’m having trouble sleeping…

Something else arrived a few weeks ago, so I thought I’d include it in this post because, well, because it’s damn cool. It’s the signed limited edition of Postscripts 20/21 ‘Edison’s Frankenstein’. It comes in a nice slipcase:

… which looks like this inside:

And here’s my story, ‘Killing the Dead':

The first few paragraphs go like this:

Inspector Dante Arawn stepped out of his house, pulled the door carefully shut behind him, and looked up at the sky. The dark had spread. He had expected as much, but it still pained him to see it. Each day, the lit areas of the sky shrank. There was nothing to be done about it. Nothing, at least, for many decades yet. As the population aged and died, so the sky grew darker. It was a fact of… life.

Not everyone accepted that fact. Constable Amrit Supay waited impatiently beside a police cart in the lane for that very reason.

“What do we know?” asked Arawn. He clambered into the cart and settled into the passenger seat.

“South Green Necropolis, sir,” replied Supay. “Another dead body.”

“A bomb?”

“Yes, sir.”

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