It Doesn't Have To Be Right…

… it just has to sound plausible


7 Comments

2014, best of the half-year

We’re halfway through 2014, which is a year, I believe, of no prior literary, cinematic or even science-fictional significance. No matter, I have certainly consumed some significant literature, cinema and music for the first time during 2014, or at least during this first half of the twelve-month. As usual, there’s a top five and a paragraph of honourable mentions for each.

Et voilà!

BOOKS
1 Life After Life, Kate Atkinson (2013) I nominated this for the Hugo, but since it features no spaceships or dragons it was always going to be a long shot. And, what a surprise, it didn’t get a look-in. I’d never read Atkinson before – my only exposure to her work was the BBC Jackson Brody adaptations with Jason Isaacs – so I was surprised at just how effortlessly good this book was.

2 Ghosts Doing the Orange Dance, Paul Park (2013) I also put this novella on my ballot, and it too never made the shortlist. The title refers to a painting, painted by one of Park’s relatives, which may or may not show an encounter with extraterrestrials. This is an astonishingly clever piece of meta-fiction, in which Park explores his own family tree and fiction, and creates something strange and interesting. And beautifully written too.

ghosts-doing-the-orange-dance-hc-by-paul-park-1622-p

3 The Machine, James Smythe (2013) And a third book I read for the Hugo. And also nominated. And – yup, you guessed it – it didn’t appear on the shortlist either. Ah well, my first – and last – attempt at involving myself in the Hugo awards… I won’t make that mistake again. The Machine, however, did make it onto the Clarke Award shortlist, and was even considered by many the favourite to win. A Ballardian near-future with some sharp prose.

4 Busy About the Tree of Life, Pamela Zoline (1988) I read this for SF Mistressworks, but my review has yet to appear there. Zoline is best-known for her 1967 short story ‘The Heat Death of the Universe’, and she didn’t write much else – a further four stories, in fact. All are collected here. Unsurprisingly, this is one of the strongest sf collections around. It really should be back in print.

Zoline-Tree

5 Europe in Autumn, Dave Hutchinson (2014) This is a surprise – a book in my best of the year in its actual year of publication. I’m pretty sure that’s a first for me. Europe in Autumn is a pleasingly cosmopolitan near-future thriller that takes an interesting twist reminiscent of Ken MacLeod’s novels… but very different all the same. Sure to be on some shortlists next year.

Honourable mentions: Two books from my Hugo reading made it onto my top five – even if they didn’t make the award shortlist (as if) – and I’m going to give another one a mention here: Anne Carson’s Red Doc> (2013), a narrative poem which managed more art in its 176pp than all fourteen volumes of The Wheel of Time; also very good was Olivia Manning’s last novel, The Rain Forest (1974), a somewhat Lowry-esque farce set on a small island in the Indian Ocean; from reading for SF Mistressworks, Joanna Russ’s collection Extra(ordinary) People (1984, my review here), her novel We Who are About To… (1977, my review here) and Josephine Saxton’s Queen of the States (1986, my review here); and finally Laurent Binet’s HHhH (2013), which offers a fascinating perspective on literature, history and writing about history as fiction.

Two women and three men in the top five, and five women and one man in the honourable mentions. I have made an effort in 2014 so far to maintain gender parity in my fiction reading – and, as can be seen, it does make a difference. On the other hand, there seems to be more genre fiction in my picks this year than is normally the case – over half were published explicitly as genre, and a further three published as mainstream but make use of genre conceits. Which makes a top five that is entirely genre – which I think is a first for me for a good many years.

FILMS
1 Beau Travail, Claire Denis (1999, France) Beautifully photographed – and if that seems common to my choices, cinema is a visual medium – but also sharply observed. However, what knocks this film from merely good to excellent is the final scene – and if you’ve seen it, you’ll know what I mean.

beau-travail

2 Under The Skin, Jonathan Glazer (2014, UK) Scarlett Johansson guerilla-filming in Glasgow, playing the part of an alien harvesting men for some unexplained reason (in the film, that is; in the book it’s for meat). It’s the film’s refusal to annotate or explain that makes it.

3 Blow-Up, Michelangelo Antonioni (1966, UK) After you’ve finished marvelling how young both David Hemmings and Vanessa Redgrave look in this film, you begin to realise how beautifully each shot is framed. It’s perhaps not as painterly a film as Antonioni’s stunning Red Desert, and perhaps its plot boasts too many echoes of that of L’Avventura… but this is excellent stuff.

4 Call Girl, Mikael Marcimain (2012, Sweden) A political thriller based on a real scandal during the 1970s, known as the Bordelhärvan scandal, involving senior politicians and under-age prostitutes. Filmed with that sort of stark Scandinavian realism that is its own commentary.

5 The Burmese Harp, Kon Ichikawa (1956, Japan) A Japanese soldier in Burma just after WWII chooses to stay in the country as a travelling Buddhist monk, with the intention of providing a proper burial for all the soldiers killed during the fighting and whose bodies have been left to rot. What really makes this film, however, is that the rest of his company use choral singing to maintain their morale, and throughout the film they put on impromptu performances.

burmese-harp-blu-ray-cover

Honourable mentions: Upstream Colour Shane Carruth (2013, USA), is an elliptical, often beautiful, film and the complete antithesis to Hollywood mind-candy; Kin-Dza-Dza!, Georgiy Daneliya (1986, Russia), is completely bonkers but somehow manages to make its more ludicrous aspects seem completely normal in its world; Head-on Fatih Akın (2004, Germany), an intense drama about a Turkish-German couple and a marriage of convenience; Man of Iron, Andrzej Wajda (1981, Poland), is based on the strikes in the Gdańsk Shipyard during the 1970s, and mixes real fact and fiction – Lech Wałęsa appears himself and is also played by an actor; The Best of Everything, Jean Negulesco (1959, USA), its first half is the sort of well-photographed 1950s melodrama that really appeals to me, but it’s a shame about the film’s second half; Like Someone in Love Abbas Kiarostami (2012, France), displays Kiarostami’s typically elliptical approach to story-telling which, coupled with its realness, makes for beautiful cinema; and finally, a pair of films by Piotr Szulkin: Ga, Ga. Chwała Bohaterom (1986, Poland), the blackest of comedies, takes a hero astronaut and subjects him to a litany of inexplicable indignities; and Wojna Swiatów – Następne Stulecie (1981, Poland), even blacker and more cynical, in which a popular TV presenter becomes first a tool of the oppressors, then a rebel, but will be remembered ever after as a collaborator.

And once again I have failed to pick a single Hollywood film – well, okay, the Negulesco is a Hollywood film, but it’s also 55 years old. So perhaps I should have said a recent Hollywood film. This doesn’t mean I haven’t watched any, just that none of them were any good.

ALBUMS
1 Shadows Of The Dying Sun, Insomnium (2014) A new album by Insomnium on this list is hardly a surprise, but this band really is bloody good. As I’ve said before, if you look up “Finnish death/doom metal” in the dictionary, all it says is “Insomnium”.

2 Valonielu, Oranssi Pazuzu (2013) I actually purchased this in 2013, but too late to make that year’s best of. It’s… well, it’s a recipe that doesn’t deserve to work, but actually does so brilliantly – space rock plus black metal. Weird and intense and very very strange. It should come as no surprise to learn the band are from Finland.

Oranssi_Pazuzu-Valonielu

3 From a Whisper, Oak Pantheon (2012) A US band that plays a similar black/folk/atmospheric metal as Agalloch, but seems a little more… metal in places. This is their first full-length album after a debut EP, and I’m looking forward to whatever they produce next.

4 The Frail Tide, Be’lakor (2007) This Australian band’s latest album made last year’s Top 5, so why not their debut this year? Their complex melodic death is enlivened with some nice acoustic passages in this. Excellent stuff.

5 Earth Diver, Cormorant (2014) Another self-release by a band that refuses to be pigeon-holed and quite happily shifts through a number of metal genres during each epic track. And they do write epic tracks.

Cormorant-Earth-Diver

Honourable mentions: 25th Anniversary of Emptiness, Demilich (2014) is a compilation of unreleased and rerecorded material from classic Finnish vocal fry register death metal band, an important document; Stone’s Reach, Be’lakor (2007), the band’s sophomore release and every bit as good as their other two, but their debut’s acoustic sections gave it the edge; The Void, Oak Pantheon (2011), is the band’s debut EP and an excellent harbinger of their later material; Restoration, Amiensus (2013), any band that manages to mix Agalloch and Woods of Ypres gets my vote; Older than History, Master of Persia (2011), Iranian death metal which makes good use of Iranian music traditions to produce something excellent.


5 Comments

The grateful mantlepiece

Something must be wrong with me. How else to explain it? It’s been over a month since my last book haul post, and look how few books I’ve bought since then. The mantlepiece, at least, is grateful, as its load was somewhat lighter as I was putting together this post. And the rate of increase in the TBR has decreased a little. You know you’re in trouble when you’re measuring the rate of change in the TBR rather than the actual number of books you own but have yet to read. So it goes.

20130621a

Some non-fiction: Spacesuit I fancied the look of, chiefly because it includes spacesuits from fiction; but we’ll see how it stacks up against the other books on the topic I own. The Astronaut Wives Club is research for Apollo Quartet 4, and it’s nice when you decide on a topic to write about and someone then goes and publishes a factual work on that very subject. DH Lawrence: Triumph to Exile 1912 – 1922 is the second volume of a three-volume biography of the writer and belonged to my father. I have the first, but now I’m going to have to see if I can get hold of a hardback edition of the third book.

20130621b

Haynes have branched out from car owners’ workshop manuals, and while I can understand them applying the same formula to various famous aircraft, such as the Avro Vulcan and Supermarine Spitfire, or even the Space Shuttle and Lunar Rover, some of the fictional “vehicles” they cover make less sense – like the U.S.S. Enterprise, the Millennium Falcon, or Gerry Anderson’s Thunderbirds. Still, I’ve been a fan of Dan Dare for years, so I thought the Space Fleet Operations Manual worth a go. It’s… okay. Cutaways of the various spacecraft, thumbnail sketches of the characters and alien races. There’s not much detail. Ah well. The Secret of the Swordfish, Part 1 is the fifteenth volume in the series, and there’s only a few to go before it’s all done. This is the first Blake and Mortimer story, originally published in 1950, and it shows. The artwork is Jacobs’ usual ligne claire style but the story is neither as complex nor as clever as much later volumes.

20130621c

For the collections: Murder by the Book is Eric Brown branching out into crime, and I’m looking forward to reading it (especially since I know what one of its touchstone works was). I was kindly sent an ARC of The Lowest Heaven but after reading the first story by Sophia MacDougall I decided it was worth buying the limited edition. So I did. Review to follow shortly-ish. The Quarry I bought from Waterstones, and it’s not like I was never going to buy the book in hardback. Five Autobiographies and a Fiction I bought direct from Subterranean Press. Idiot HMRC decided to charge VAT on it, even though books are exempt. I have applied for a refund but it’ll be weeks before I get it. So, of course, they did it to the next book I ordered from the US. I’ve been buying books from publishers and eBay sellers in the US for years without a problem, and then twice in one month they wrongly stiff me for VAT. Stupid HMRC are stupid.

20130621d

Some charity shop finds: Persepolis, a graphic novel about a woman growing up in Iran. I’ve been there, you know: Persepolis. It was in the early 1970s, we went on holiday to Iran, and stayed in Isfahan, Shiraz and Tehran. At one point, we went to see the ruins at Persepolis. I really ought to see about digitising the cine film my father shot when we were there. Beside the Ocean of Time was a lucky find – I’ve been interested in trying something by George Mackay Brown since seeing him mentioned on, I think, Eve’s Alexandria. Before I Go To Sleep I vaguely recall being one of those literary/mainstream novels based on a sf idea from a couple of years ago. I can’t actually remember what people said about it, however. I guess I’ll find out for myself. Skin of the Soul is a Women’s Press anthology of horror stories by women writers. I wavered on this one – I mean, it’s not sf so I can’t review it for SF Mistressworks; and I’m not a huge fan of horror, anyway. But then I saw Suzy McKee Charnas and Karen Joy Fowler on the TOC, and I decided to buy it.

20130621e

Finally, two books I bought from Waterstones’ “buy one get one half price promotion”. Guess which one I got for half price: is it HHhH at £8.99 or A Possible Life at £12.99? I really wanted HHhH as I’d heard so many good things about it, but as is always the way with these promotions finding a second book proved difficult. Yes, I did want to read A Possible Life, but not enough that I’d pay near enough thirteen quid for the trade paperback. But there was nothing else that looked remotely interesting. I must have been in a good mood.

Follow

Get every new post delivered to your Inbox.

Join 1,958 other followers