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10 question book meme

John DeNardo posted this on SF Signal on Saturday, and I’m a sucker for a book meme. I’ve a feeling I’ve done this one before but, you know, the answers would have been different then.

  1. The last sf/f/h book I read and liked was: A Tale for the Time Being, Ruth Ozeki. I’ve already nominated it for the BSFA Award, and I’ll be doing the same for the Hugo Award. I’d also be very happy to see it on the Clarke Award shortlist.
  2. The last sf/f/h book I read and wasn’t crazy about was: Palimpsest, Catherynne M Valente. I gave up about 100 pages in. I like lush prose – I collect Lawrence Durrell’s books, ffs. But the prose in this just rubbed me completely up the wrong way.
  3. The sf/f/h book I am reading now is: The Violent Century, Lavie Tidhar. There’s a whole bunch of 2013 novels I need to read before the nominations for the Hugo Award closes on 31 March 2014.
  4. The sf/f/h book(s) I most want to read next is/are: see above.
  5. An underrated sf/f/h book is: Most of the genre novels I rate highly are under-rated by other people, most of the genre novels I rate highly are currently out of print.
  6. An overrated sf/f/h book is: Where do I start? How about… anything by Neil Gaiman, or that regressive space opera series by James SA Corey?
  7. The last sf/f/h book that was recommended to me was: Ancillary Justice, Ann Leckie. And it was an excellent call. I take most recommendations with a pinch of salt, but this came from a number of trusted sources and the book’s blurb sounded like it might appeal.
  8. A sf/f/h book I recommended to someone else was: Ancillary Justice again.
  9. A sf/f/h book I have re-read is: My most recent reread, which probably doesn’t count, was John Varley’s Good-Bye, Robinson Crusoe – it’s reprint collection, so while I’d not read the book before, I had read every story in it previously. Otherwise, it was Sovereign by RM Meluch, back in June 2013, which I reviewed for SF Mistressworks here.
  10. A sf/f/h book I want to re-read is: White Queen, Gwyneth Jones. It’s been years since I last read it, and she is my favourite science fiction writer. Or perhaps Acts of Conscience, William Barton, as he was a writer I really liked and it’s been a long time since I last read one of his books.


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Books to look forward to in 2014

I did something similar to this back in early 2013, though looking at that earlier post – see here – I note that I only managed to purchase 5 of the 15 books I mentioned, and only actually read one of them. And one of the books was postponed until 2014… This year I’ve managed to track down a few more titles that I’m looking forward to, though we’ll seen this time next year how many I’ve bought and/or read…

January
Ings, Simon: Wolves (Gollancz)
Roberts, Adam & Mahendra Singh: Twenty Trillion Leagues Under the Sea (Gollancz)
Smythe, James: The Echo (Harper Voyager) – the sequel to The Explorer, and the second book of what I see is now called the Anomaly Quartet.

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February
Hutchinson, Dave: Europe in Autumn (Solaris)

March
MacLeod, Ken: Descent (Orbit)

DESCENT-ken-macleod

April
Beckett, Chris: Mother of Eden (Corvus) – the sequel to the Clarke Award-winning Dark Eden.
Watson, Ian: The Uncollected Ian Watson (PS Publishing) – must admit I’m slightly puzzled by the title of this: “uncollected” – can there really be such a thing for a man who’s had thirteen collections published…

June
Roberts, Adam: Bête (Gollancz)
Shepard, Lucius: Beautiful Blood (Subterranean Press)

July
Baxter, Stephen: Ultima (Gollancz)- the sequel to Proxima.
Park, Paul: All Those Vanished Engines  (Tor US) – a new novel from Park, is it possible to describe how much this excites me?

August

Park, Paul: Other Stories (PS Publishing)
Varley, John: Dark Lightning (Ace) – the final book of the quartet comprising Red Thunder, Red Lightning and Rolling Thunder.

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September
Cobley, Michael: Ancestral Machines (Orbit) – a new set in the universe of the Humanity’s Fire trilogy.
Gibson, Gary: Extinction Game (Tor UK)
Mitchell, David: The Bone Clocks (Sceptre)

October
Leckie, Ann: Ancillary Sword (Orbit) – the second book of the trilogy, following on from Ancillary Justice.
Robson, Justina: The Glorious Angels (Gollancz)

Late in the year, date to be revealed
McFarlane, Alex Dally, ed.: The Mammoth Book of SF Stories By Women (Constable & Robinson)

Yes, there are no debuts there. Though there are several due out this year, I don’t know enough about them as yet to decide if they’re worth reading. Perhaps nearer their publication dates, some buzz will start to form among my online friends and acquaintances, and that may persuade be they’re worth a punt. That was, after all, how I came to read Ancillary Justice in 2013. Also, as the year progresses I will no doubt discover other new books I really want, much as I did in 2013. While new titles from major genre imprints are relatively easy to find, those from small presses aren’t; and I’ve no doubt missed out quite a few literary fiction novels by authors I really like, too.

ETA: I meant to add this before the post went live but forgot – the new Paul Park novel, All Those Vanished Engines, shares its title with an installation by sound artist Stephen Vitello, which includes “a commissioned text by local novelist Paul Park”. I don’t know what the link is between the novel and Vitello’s installation.


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The floorboards are creaking

Time for another book haul post, and it’s been a good month or so book-wise. Some new books from authors whose books I like, some good bargains picked up in charity shops, and some books that look really interesting and I’m looking forward to reading… Having said that, I’m going to have to purge my collection some time soon as it’s getting a little out of hand…

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Some heartland science fiction: Evening’s Empires, On the Steel Breeze and Proxima are all new this year. Navigator is from 2007, I found it cheap on eBay.

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A few collections and an anthology. Jagannath: Stories I bought at Fantastika in Stockholm, Getting Out of There is from Nightjar Press (it’s signed and numbered and a bargain at £3.50; get yourself a copy), and both the women-only anthology Space of Her Own and Cliff Burns’ extremely rare first collection, Sex and Other Acts of the Imagination, were from Cold Tonnage.

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The Luminaries, of course, won the Man Booker this year. The Kills and Unexploded were on the long list but didn’t make the short list. But these three seemed the most interesting to me of the listed books.

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A few for the collection. The jacket-less book is Too Many Murders, and is DG Compton’s debut novel – a crime novel as by Guy Compton. These are almost impossible to find in good condition. Escape from Kathmandu is signed. The Violent Century and Prayer are both new this year.

20131027e

A Tale for the Time Being was also short-listed for the Booker, I found this copy in a charity shop. Sea of Ghosts I bought new after reading Martin Petto’s review on Strange Horizons (plus it has a deep sea diver on the cover); and Ancillary Justice I bought because it’s been getting extensive positive buzz of late – deservedly so: I reviewed it here.

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These three books I bought on a recent visit to Harrogate. I’ve always fancied trying Nabokov and I’m told Pale Fire is his best. Jensen and Houellebecq I pick up whenever I see copies.

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Five books of Jo Clayton’s Diadem from the Stars series. I bought these at Fantastika. To be honest, they’re not great sf – I reviewed the first two books on SF Mistressworks here and here – but I’ll read them and review them anyway.

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Finally, a 1970s sf novel by a woman writer I’d never heard of (bought at Fantastika) and a humungous book on writing genre I have to review for Interzone. I shall be approaching Wonderbook with a healthy scepticism, but it’s hard not to be impressed by it.

Incidentally, I make this haul 15 books by men and 13 by women, which is pretty close to parity.


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Ancillary Justice

Every couple of years, a science fiction novel appears which seems to generate a tremendous amount of positive buzz among my online genre friends and acquaintances. In 2011, it was Kameron Hurley’s God’s War, the first of a trilogy, which went on to win the Kitschies’ Golden Tentacle Award and appear on the short list for the Nebula Award. This year, it’s Ann Leckie’s Ancillary Justice, which is also a debut novel and the first book in a trilogy. I’m also seeing a lot more word-of-mouth for Ancillary Justice than I remember seeing for God’s War, and I suspect it will do better in the various genre awards than Hurley’s debut.

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But then Ancillary Justice is located much closer to genre heartland than God’s War, and the interesting things it does – and it does a number of interesting things – are, I suspect, more generally acceptable than those in Hurley’s book. Both suffer structurally, but where God’s War had a choppy start, Ancillary Justice has a weak ending… and I have to wonder if that is felt to be a more forgivable sin. Having said that, Ancillary Justice is a richer brew in heartland sf terms than God’s War – richer, in fact, than a great many 2013 science fiction novels – but I don’t feel it fully explores everything it has to say. God’s War at least aggressively interrogated its tropes. Which is not to say that I didn’t enjoy Ancillary Justice or feel it is a bad book. It is a very strong debut, and I have every intention of picking up the remaining two books in the trilogy when they are published.

First of all, let’s get the gender thing out of the way. Throughout Ancillary Justice, “she” is used as the default pronoun. This is allegedly because the narrator, Breq, comes from a culture which speaks an ungendered language. The problem here is that an ungendered language by definition possesses no gender, whereas “she” is very much a gendered term. The effect on the reader in English of using the word “she” as a default is not the effect it has on the characters within the story. Cause and effect are uncoupled. However, the effect on the reader does force a specific reading of the story. Leckie is making the reader interrogate their own perceptions of gender by using “she”, even if the argument for its use in the world of the story is weak. When Breq deals with speakers of other languages, ones that do use gendered pronouns, she frequently exhibits confusion over which pronoun to use. She uses visual clues to decide which is appropriate – there are, for instance, several references to clothing making this process difficult. But gender is not biological sex – and this is something that has been explored by science fiction over several decades. Numerous people have drawn comparisons between Ancillary Justice and Samuel R Delany’s Stars in My Pocket Like Grains of Sand which, I think, interrogates the concept of social gender more rigorously than Ancillary Justice. I like that Leckie has forced the reader to examine their own gender defaults, and I think that’s an interesting thing to do… but I’m not totally persuaded the world Leckie has created fully explores that aspect of the story.

Breq is the only surviving “ancillary” of an AI. Ancillaries are human bodies used as avatars – real-life “meat puppets”, if you will. As a result, AIs operate in effect as distributed intelligences. It’s a neat idea, but Leckie only skims the surface of it. Admittedly, for much of the book Breq is confined to a single body – once she was an avatar of the controlling AI of a warship, but now she is as effectively human as the person whose body she hijacked. Leckie plays the ancillaries as single intelligences with simply a much vaster range of sensory inputs. When Breq was One Esk, a troop of ancillaries on the troop carrier Justice of Toren, Leckie makes numerous references to the narrator’s ability to know what is happening in various different places, to call up information at will, and to monitor in great detail the human officers under whose command she serves. I’m not entirely convinced by Leckie’s presentation of an AI character, or its distributed nature – but then, to be honest, I don’t think I’ve ever found the presentation of AIs in science fiction especially convincing. Further, the plot of Ancillary Justice is actually hung from this incomplete version of a distributed intelligence – although how incomplete, or indeed different, is difficult to judge as unlike Breq we do not see that character from the inside.

While the gender thing and Breq’s once-distributed nature are the two most obviously arresting aspects of Ancillary Justice – and also appear to be the most remarked upon in reviews; as, er, I am doing in this review myself – there are a number of other elements to the story and world-building which I think are much more fascinating. I said earlier that Ancillary Justice was a rich brew, and it’s the combination of tropes Leckie has used, tropes which are not normally thrown together, or on which she has put a different and original spin, that I think make Ancillary Justice such an interesting sf novel.

Justice of Toren, the ship Breq-as-AI originally controlled, was operated by the Radch, a human civilisation led by Anaander Mianaai. Like the AIs, Mianaai has many bodies, thousands of them, and so rules the Radchaai by effectively being ubiquitous. The Radch is fervently imperialist, and has been operating a campaign of “annexation” on other human-populated worlds for over a thousand years. The Radchaai economy demands this – the Radch seem themselves as “civilised” and superior to all others (especially non-humans), and obviously they cannot maintain a society based on such a view without an ever-expanding underclass. There are many ways of reading the politics embedded in Ancillary Justice – an attack on neoliberalism, on neocons, on contemporary US politics… They all work. Nor do they overwhelm the story.

Which, such as it is, is presented in a format which hides its simplicity. Justice of Toren becomes inadvertently embroiled in an internal Radchaai struggle, kicked off by a pair of historical incidents involving alien races, most especially the Presger who are more powerful than the Radch. Ancillary Justice tells its story in two narratives strands. One is set in the present. Justice of Toren now survives only as Breq, a single ancillary survivor from thousands that had been used, or held in storage, on the ship. A second narrative takes place years earlier, when Breq was One Esk and is policing a city on a world that has been annexed. A Radchaai conspiracy intrudes, and One Esk and her officer, Lieutenant Awn, are caught up in it. Breq is the sole survivor of the fall-out from that incident and vows revenge on Mianaai. to that end, she travels to the world of Nilt to find a special undetectable gun which renders Radchaai armour useless. On Nilt, she stumbles across Seivarden, a Radchaai lieutenant recently revived after a thousand years frozen following the loss of her ship in battle. Seivarden is also now a drug addict. Breq remembers Seivarden, and decides to help her return to Radchaai space, although Seivarden is initially reluctant and ungrateful.

The two narratives build one upon the other, the historical one revealing the motivation for the present-day one, and the present-day one in turn making clear the actual events in the past. While it makes for a slow start, the structure actually allows Leckie to dole out exposition without interrupting the flow of the story. As the novel progresses, so its pace increases until the point where the two narratives meet – or rather, one is folded into the other – at the climax. Leckie’s world-building throughout Ancillary Justice is superb, and she manages to evoke multiple distinct cultures in detail. Perhaps at times the novel feels a bit like a Le Guin story crashing into a Susan R Matthews one, but that’s no bad thing – both are authors whose works I like and admire. Some have also remarked on an element of Iain M Banks to Ancillary Justice‘s world-building, though that may have been prompted by the presence of the AIs (ie, Minds) and the names of the characters. I don’t see a Banksian sensibility at work in Ancillary Justice, even though Ancillary Justice and Banks’s Culture novels are, beneath their space opera patina, both political sf.

Ancillary Justice is novel whose whole is greater than the sum of its parts. And yet some of its parts still manage that intellectual punch to the head – a “wonderpunch”, if you will – you expect in the best science fiction. There is a point in John Varley’s The Ophiuchi Hotline (1977) where the main characters travel out to the Oort Cloud and discover why aliens have been transmitting the eponymous beam of free information at the Solar System. In a meeting with these “Traders”, Varley throws away entire science fiction novels in a handful of lines -

“A few thousand. To get a representative sample. After that, we can learn humanity from each other.” He paused. “We know this is a strange request. The fact is, it is the only thing your race has to offer us. It is the only reason we have bothered to send you the things we have discovered and collected over seven million years.” (p 222)

Such a massive change in scale, delivered offhand in a few lines of dialogue, can’t help but provoke sense of wonder. Leckie does something very similar in Ancillary Justice, and it is the implications of this which I think proves one of the novel’s more fascinating elements:

When most people spoke of Radch, they meant all of Radchaai territory, but in truth the Radch was a single location, a Dyson sphere, enclosed, self-contained. Nothing ritually impure was allowed within, no one uncivilized or nonhuman could enter its confines. Very, very few of Mianaai’s clients had ever set foot there, and only a few houses existed who even had ancestors who had once lived there. (p 235)

Bear in mind that a Dyson sphere with a radius equal to the Earth’s distance from the Sun would have a habitable inner surface equivalent to 550 million Earths. Imagine the size of a civilisation which filled that and still needed to expand in order to fuel its economy. I would also guess the Dyson sphere is an artefact colonised by the Radch, since nothing in Ancillary Justice suggests they are capable of building it.

Not everyone has reacted positively to Ancillary Justice, although it’s hard to see how in comparison to other science fiction novels published this year it can’t fail to stand out. If I was afraid that the success of James SA Corey’s Leviathan Wakes meant that space opera was regressing, then I’m glad to say that Ancillary Justice shows that progress is still possible and desirable. Leckie’s novel gives me hope that science fiction is a genre it is still worth reading. Recommended.

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