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Locus All-Centuries Poll short fiction results

Locus posted the short fiction results to its poll a couple of days ago and the results are… not entirely unexpected. Americocentric. A little more diverse in terms of race and gender than the novel results, but not by that much. And yes, pretty much exclusively Anglophone. But let’s see how my choices did…

20th Century SF/F Novella
22 – 1 ‘Great Work of Time’, John Crowley (1989)
6 – 2 ‘The Fifth Head of Cerberus’, Gene Wolfe (1972)
51 – 3 ‘Forgiveness Day’, Ursula K Le Guin (1994)
0 – 4 ‘Equator’, Brian W Aldiss (1958)
72 – 5 ‘Green Mars’, Kim Stanley Robinson (1985)
83 – 6 ‘Marrow’, Robert Reed (1997)
0 – 7 ‘Secrets’, Ian Watson (1997)
1 – 8 ‘Story of Your Life’, Ted Chiang (1998)
71 – 9 ‘Piper at the Gates of Dawn’, Richard Cowper (1976)
10

Well, I picked the number one novella, although I had it down at number eight. A single Aldiss novella barely made the top fifty – so much for his sixty-year career (though I will admit ‘Equator’ is not generally seen as one of his career highlights; I still love it, however.) A single Ian Watson novelette made it to number 117 – so there’s another British author who has been cruelly neglected.

Instead, the actual top twenty had Chiang, old favourites like Heinlein and Simak and John W Campbell and Sturgeon and Lovecraft, and six women (including US middle-aged fan favourite Connie Willis). Most, surprisingly, are science fiction, rather than fantasy.

20th Century SF/F Novelette
108 – 1 ‘The Barbie Murders’, John Varley (1978)
170 – 2 ‘Beauty and the Opéra or the Phantom Beast’, Suzy McKee Charnas (1996)
0 – 3 ‘The Time-Tombs’, JG Ballard (1963)
73 – 4 ‘A Little Something For Us Tempunauts’, Philip K Dick (1974)
157 – 5 ‘Black Air’, Kim Stanley Robinson (1983)
0 – 6 ‘The Last Days of Shandakor’, Leigh Brackett (1952)
100 – 7 ‘No Woman Born’, CL Moore (1944)
0 – 8 ‘FOAM’, Brian W Aldiss (1991)
44 – 9 ‘Swarm’, Bruce Sterling (1982)
0 – 10 ‘Housecall’, Terry Dowling (1986)

A few more zeros here, meaning no one selected those choices as their number one. My highest placer is Bruce Sterling at 44, and I thought that was my most commercial pick. I should have instead listed ‘The View From Venus: A Case Study’ by Karen Joy Fowler, which, er, no one picked at all.

The actual top twenty has the execrable ‘Nightfall’ at number two. Kill it with fire. And another Asimov at number four. Plus Harlan Ellison (it’s harder to know which to despise more, the man or his fiction). Three women, although Tiptree is selected twice. Samuel Delany sneaks in at number sixteen. All twenty novelettes are by Americans (the first Brit appears at 41).

20th Century SF/F Short Story
56 – 1 ‘And I Awoke And Found Me Here On The Cold Hill Side’, James Tiptree Jr. (1972)
25 – 2 ‘Air Raid’, John Varley (1977)
0 – 3 ‘Forward Echoes (AKA Identifying the Object)’, Gwyneth Jones (1990)
213 – 4 ‘The Lake of Tuonela’, Keith Roberts (1973)
0 – 5 ‘The Road To Jerusalem’, Mary Gentle (1991)
0 – 6 ‘A Map of the Mines of Barnath’, Sean Williams (1995)
0 – 7 ‘The Brains Of Rats’, Michael Blumlein (1986)
22 – 8 ‘Aye, And Gomorrah’, Samuel R Delany (1967)
276 – 9 ‘A Gift From The Culture’, Iain M Banks (1987)
101 – 10 ‘The Gernsback Continuum’, William Gibson (1981)

I wasn’t expecting to have many popular choices in this category, but not a single one of mine made it into the top twenty. Delany came highest at 22, and then Varley at 25. And they’re popular works of sf. I got four zeroes.

The actual results featured Ellison (3), Heinlein (2), Clarke (3), Asimov, Bradbury (2)… It’s Dead White Male time. (Except Ellison isn’t dead, of course.) Four women. JG Ballard’s highest placing is 47, which is dismaying. Looking at the results, I see a lot of stories that are repeatedly anthologised. Well, there you go…

21st Century SF/F Novella
59 – 1 ‘Arkfall’, Carolyn Ives Gilman (2008)
0 – 2 ‘My Death’, Lisa Tuttle (2004)
6 – 3 ‘Diamond Dogs’, Alastair Reynolds (2001)
0 – 4 ‘Dangerous Space’, Kelley Eskridge (2007)
0 – 5 ‘A Writer’s Life’, Eric Brown (2001)

I’ve read two of the novellas which made the top ten in this category. One of them was the Reynolds. I was surprised Carolyn Ives Gilman didn’t get zero, but then it was originally published in Asimov’s. Two of the others were original novellas from PS Publishing, so no surprise with the zeroes there…

21st Century SF/F Novelette
2 – 1 ‘The Merchant and the Alchemist’s Gate’, Ted Chiang (2007)
66 – 2 ‘Divining Light’, Ted Kosmatka (2008)
3
4
5

I freely admit to being crap at this category. Not only is the novelette a completely useless category and should be roundly expunged from, well, everything, but I’ve not read enough long short fiction published this century. Still, my number one choice made number two. Still, Chiang… (On the other hand, he also made the number one spot.)

As it is, the top ten are all genre darlings – Chiang, Link, Gaiman, Stross, Miéville, Bacigalupi…

21st Century SF/F Short Story

I was so rubbish at this one, I couldn’t think of a single story to nominate. If I had chosen the story I remembered after the deadline, ‘The Avatar of Background Noise’, Toiya Kristen Finley, it would have come… nowhere. No one picked it. Instead, we got ten relatively recent award winners, with a couple of outliers – Le Guin and Swanwick.

We can thus conclude that all worthwhile science fiction and fantasy short fiction is written by a group of about thirty people, over half of whom are dead. Of course, this is a consequence of the small number of voters, most of whom probably fit a fairly similar profile. I’m not sure how useful an exercise that makes the poll, though as a guideline for changing a reader’s approach to the genre it offers a possible blueprint. You know, don’t read the writers in the top twenties for each category, read other ones instead, ones you may not have come across before. Diversify your diet of genre fiction. Add some diversity to it.

And finally, I just have to say something about the amazingly stupid remark made in the comment thread on the results page:

“If there was more women and minorities that cared enough to vote in this poll, then there would have been more females and minorities on the list. you cannot blame others for it.”

Poor grammar aside, it’s a remarkably dumb thing to say. Because of course only women and minorities nominate women and minorities. And women only vote for women, just as minorities only vote for minorities. Someone take away Maddog’s computer, he’s clearly too stupid to use it properly.


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The Novel Poll results are in

… and oh dear. Well, that’s a little embarrassing. The results for the novels for the Locus All-Centuries Poll are in – see here. The best science fiction novel of the twentieth century is apparently Frank Herbert’s Dune, the best fantasy novel of the twentieth century is The Lord of the Rings, the best sf novel of the twenty-first century is John Scalzi’s Old Man’s War, and the best fantasy novel of the twenty-first century is Neil Gaiman’s American Gods.

These results only show that most people confuse popularity with quality. I love Dune and I’ve read it many times, but it’s not a very well-written book. In fact, Herbert’s prose rarely rises above the embarrassingly bad. The Lord of the Rings is the giant elephant in the fantasy room, and it’s about time fantasy got over it. The less said about the twenty-first century novel choices, the better. I’ve read neither, I have no intention of reading them, they are not books I’d ever consider would merit the description “best”.

Unsurprisingly, my own choices did woefully badly. Only one actually made it onto a list – Watership Down at number ten on the 20th Century Fantasy Novel. For the record, here are the actual positions of my choices, where 0 (zero) means the book was not chosen as number one on a list by anyone.

20th Century SF Novel
221 – 1 Coelestis, Paul Park (1993)
206 – 2 Dhalgren, Samuel R Delany (1975)
16 – 3 The Dispossessed, Ursula K Le Guin (1974)
283 – 4 Kairos, Gwyneth Jones (1988)
0 – 5 Synthajoy, DG Compton (1968)
349 – 6 Ash: A Secret History, Mary Gentle (2000)
0 – 7 Where Time Winds Blow, Robert Holdstock (1981)
35 – 8 Red Mars, Kim Stanley Robinson (1992)
0 – 9 Take Back Plenty, Colin Greenland (1990)
76 – 10 The Female Man, Joanna Russ (1975)

20th Century Fantasy Novel
229 – 1 Aegypt, John Crowley (1987)
265 – 2 In Viriconium, M John Harrison (1982)
236 – 3 Rats & Gargoyles, Mary Gentle (1990)
34 – 4 Mythago Wood, Robert Holdstock (1984)
0 – 5 Lens of the World, RA McAvoy (1990)
10 – 6 Watership Down, Richard Adams (1972)
102 – 7 The Golden Compass, Philip Pullman (1995)
62 – 8 Tehanu, Ursula K Le Guin (1990)
18 – 9 The Book Of The New Sun, Gene Wolfe (1983)
0 – 10 The Grail of Hearts, Susan Shwartz (1992)

21st Century SF Novel
14 – 1 Light, M John Harrison (2002)
67 – 2 Life, Gwyneth Jones (2004)
0 – 3 Ascent, Jed Mercurio (2007)
0 – 4 Alanya to Alanya, L Timmel Duchamp (2005)
0 – 5 The Caryatids, Bruce Sterling (2009)

21st Century Fantasy Novel
0 – 1 Evening’s Empire, David Herter (2002)
87 – 2 A Princess of Roumania, Paul Park (2005)
0 – 3 Lord Byron’s Novel: The Evening Land, John Crowley (2005)
155 – 4 Hav, Jan Morris (2006)
0 – 5 Lord of Stone, Keith Brooke (2001)

So there we have it: popularity contest picks most popular novels and calls them “best”. In other words, a total waste of time. I knew going in that some of my choices were reasonably obscure – not totally obscure, as they were published by major publishing houses – but even so I expected some people to recognise their quality. Sadly not. And even my choices for the more popular and better-known authors didn’t even make it into the final top ten or top five. I mean, no halfway-intelligent person can consider Old Man’s War to be a better book than Light. Not, and be taken seriously. But that’s the problem, isn’t it? Sf and fantasy aren’t taken seriously. And never will be as long as we pull stupid strokes like the results of this poll.

So, science fiction and fantasy, go and stand in the corner.


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Locus poll adden-doh

So, a day or two after I filled in my selections for the Locus Poll of Polls (see here), I stumbled across this Mind Meld I did back in October 2010 on my perfect short fiction anthology. While most of the TOC made it into my categories for the polls, some didn’t and I wish I’d managed to remember them. The missing ones were:

‘That Only a Mother’, Judith Merrill (short story, 1948)
I went for ‘No Woman Born’ by CL Moore instead. I’d have to reread both to decide which of the two I should have chosen. It might have been both.

‘The Sword of Rhiannon’, Leigh Brackett (novel, 1949)
This is apparently a novel, so it doesn’t even belong in a short fiction anthology. Whoops. I picked Brackett’s ‘The Last Days of Shandrakor’ for my 20th Century SF/F Novelette category.

‘A Woman Naked’, Christopher Priest (short story, 1974)
I did think about including this one, but I had more than ten choices for my 20th Century SF/F Short Story category. Even though some turned out to be novelettes, I still had to say no to a couple of titles. Incidentally, I wrote a guest post on this story on Gav Reads – see here.

‘The View from Venus: A Case Study’, Karen Joy Fowler (novelette, 1986)
I considered this one too, but I thought it was a short story and I was over-subscribed in that category. But I’ve just looked on isfdb.org and it’s down as a novelette. So I should have included it in that category, probably in place of the Sterling or the Dowling.

‘In Saturn Time’, William Barton (short story, 1995)
Like the Priest, I considered this, but had no free space in the category.

‘Beside the Sea’, Keith Brooke (short story, 1995)
I’d forgotten about this one, but I suspect it wouldn’t have made the cut anyway. Though it is an excellent short story.

‘The Avatar of Background Noise’, Toiya Kristen Finley (short story, 2006)
I wish I’d remembered this one. I left my 21st Century SF/F Short Story category blank, but I’d have included this one if I’d remembered it. Argh.

I only managed nine in the 20th Century SF/F Novella category, two in the 21st Century SF/F Novelette, and none in 21st Century SF/F Short Story. I think I need to read more short fiction from the first decade of this century. It’s not like I’m prevented from doing so – I have a huge pile of Interzones, a shelf full of Postscripts, and a whole bunch of other magazines and anthologies…

So, I think, as a resolution for 2013, I shall work towards putting together a short fiction best of the year, as I do every year for books, films and albums. That should encourage me to read more short stories. I’ll not differentiate between short story, novelette or novella – they’ll all be munged together into one list. Nor will I work overly hard at reading as much as possible. If a story doesn’t grab me within the first 500 to 1,000 words, I’ll not bother finishing it. I’ll stick to the venues I usually frequent, though if someone recommends a story published elsewhere I’ll give it a go. Hopefully, by the end of the year I’ll have enough to choose from to list the five best. I’ll even be able to pick stories to nominate for the BSFA Award. (hint, hint.)


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The humungous Locus poll and my picks for it

I hate polls; polls are stupid things. Picking the best fiction with a popularity contest? Fail. But I had a bash at it anyway. Not that my choices are likely to appear in the final top ten in any category, or cause anything but the tiniest amount of skew in the results. But it was sort of fun as an intellectual exercise.

Picking out the novels was easy enough, but the short fiction categories were hard, especially the 21st century ones. Some stories stay with you for years afterwards, but they’re few and far between. And numbers alone – plus the fact I don’t read every piece of short fiction as it’s published – means I probably encountered few memorable stories during the first decade of this century.

Anyway, for what it’s worth here are my picks:

20th Century SF Novel
1 Coelestis, Paul Park (1993)
2 Dhalgren, Samuel R Delany (1975)
3 The Dispossessed, Ursula K Le Guin (1974)
4 Kairos, Gwyneth Jones (1988)
5 Synthajoy, DG Compton (1968)
6 Ash: A Secret History, Mary Gentle (2000)
7 Where Time Winds Blow, Robert Holdstock (1981)
8 Red Mars, Kim Stanley Robinson (1992)
9 Take Back Plenty, Colin Greenland (1990)
10 The Female Man, Joanna Russ (1975)

20th Century Fantasy Novel
1 Aegypt, John Crowley (1987)
2 In Viriconium, M John Harrison (1982)
3 Rats & Gargoyles, Mary Gentle (1990)
4 Mythago Wood, Robert Holdstock (1984)
5 Lens of the World, RA McAvoy (1990)
6 Watership Down, Richard Adams (1972)
7 The Golden Compass, Philip Pullman (1995)
8 Tehanu, Ursula K Le Guin (1990)
9 The Book Of The New Sun, Gene Wolfe (1983)
10 The Grail of Hearts, Susan Shwartz (1992)

20th Century SF/F Novella
1 ‘Great Work of Time’, John Crowley (1989)
2 ‘The Fifth Head of Cerberus’, Gene Wolfe (1972)
3 ‘Forgiveness Day’, Ursula K Le Guin (1994)
4 ‘Equator’, Brian W Aldiss (1958)
5 ‘Green Mars’, Kim Stanley Robinson (1985)
6 ‘Marrow’, Robert Reed (1997)
7 ‘Secrets’, Ian Watson (1997)
8 ‘Story of Your Life’, Ted Chiang (1998)
9 ‘Piper at the Gates of Dawn’, Richard Cowper (1976)
10

20th Century SF/F Novelette
1 ‘The Barbie Murders’, John Varley (1978)
2 ‘Beauty and the Opéra or the Phantom Beast’, Suzy McKee Charnas (1996)
3 ‘The Time-Tombs’, JG Ballard (1963)
4 ‘A Little Something For Us Tempunauts’, Philip K Dick (1974)
5 ‘Black Air’, Kim Stanley Robinson (1983)
6 ‘The Last Days of Shandakor’, Leigh Brackett (1952)
7 ‘No Woman Born’, CL Moore (1944)
8 ‘FOAM’, Brian W Aldiss (1991)
9 ‘Swarm’, Bruce Sterling (1982)
10 ‘Housecall’, Terry Dowling (1986)

20th Century SF/F Short Story
1 ‘And I Awoke And Found Me Here On The Cold Hill Side’, James Tiptree Jr. (1972)
2 ‘Air Raid’, John Varley (1977)
3 ‘Forward Echoes (AKA Identifying the Object)’, Gwyneth Jones (1990)
4 ‘The Lake of Tuonela’, Keith Roberts (1973)
5 ‘The Road To Jerusalem’, Mary Gentle (1991)
6 ‘A Map of the Mines of Barnath’, Sean Williams (1995)
7 ‘The Brains Of Rats’, Michael Blumlein (1986)
8 ‘Aye, And Gomorrah’, Samuel R Delany (1967)
9 ‘A Gift From The Culture’, Iain M Banks (1987)
10 ‘The Gernsback Continuum’, William Gibson (1981)

21st Century SF Novel
1 Light, M John Harrison (2002)
2 Life, Gwyneth Jones (2004)
3 Ascent, Jed Mercurio (2007)
4 Alanya to Alanya, L Timmel Duchamp (2005)
5 The Caryatids, Bruce Sterling (2009)

21st Century Fantasy Novel
1 Evening’s Empire, David Herter (2002)
2 A Princess of Roumania, Paul Park (2005)
3 Lord Byron’s Novel: The Evening Land, John Crowley (2005)
4 Hav, Jan Morris (2006)
5 Lord of Stone, Keith Brooke (2001)

21st Century SF/F Novella
1 ‘Arkfall’, Carolyn Ives Gilman (2008)
2 ‘My Death’, Lisa Tuttle (2004)
3 ‘Diamond Dogs’, Alastair Reynolds (2001)
4 ‘Dangerous Space’, Kelley Eskridge (2007)
5 ‘A Writer’s Life’, Eric Brown (2001)

21st Century SF/F Novelette
1 ‘The Merchant and the Alchemist’s Gate’, Ted Chiang (2007)
2 ‘Divining Light’, Ted Kosmatka (2008)
3
4
5

21st Century SF/F Short Story
1
2
3
4
5

Well, the same names crop up in most lists, but that’s because I think those writers are amongst the most interesting in genre fiction. I did trawl through the lists of suggested titles provided by Locus, but there were few novels or stories I liked or thought especially good – in fact, many of choices above don’t appear on any of their lists. I’ve not read enough 21st century short fiction to pick the five best. I managed it with a handful of novellas and novelettes, but short stories?

(No doubt I’ll think of possible titles the moment I hit the “Publish” button on this post…)

And let me once more ask what on earth is the use of the novelette? It’s an entirely arbitrary and useless category. Anything bigger than a short story but smaller than a novel is a novella. The only places where novelette is used as a category is in the Big Three genre magazines and US genre awards. And it seems to me it only exists so the big friendly and incestuous club of US genre writers have an excuse to give each other yet another award. Get rid of it, please.


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What are we going to do when we get there?

Look what arrived in the post yesterday: my contributor copy of Where Are We Going?, an anthology edited by Allen Ashley and published by Eibonvale Press. It looks very nice indeed. And it has an excellent line-up too.

And here’s my story, ‘The Way The World Works’. It’s my bathypunk one – see here. It’s good to finally see it in print.

The anthology was launched in London on 2 March. Unfortunately, I couldn’t make it, but judging by the write-up and photos here, it went very well indeed.


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Don’t Look Back In Wonder

Andrew Wheeler gives a run-down on the Hugo fiction shortlists here, but it’s some of the comments he makes in passing that I find interesting. He first complains that Peter Watts ‘The Things’ is a “backwards-looking story … which retells a famous old story in a new way” and that “there have been far too many backwards-looking SF stories over the last two decades”. I don’t know about the “far too many” – I suspect Wheeler reads a great deal more sf short fiction than I do (and my reading will be skewed toward UK-produced sf short fiction anyway) – but I don’t recall all that many similar types of stories off the top of my head. Theodora Goss riffed off HG Wells a couple of years ago, I seem to recall. Even so, what’s wrong with approaching old stories in new ways? Science fiction is, after all, a genre in conversation with itself. Doing it too often, yes, can be bad, and I bow to Wheeler’s greater knowledge on whether that point has been reached. But in moderation I think it’s good and perhaps necessary.

Wheeler than goes on to say that Allen Steele’s ‘The Emperor of Mars’ “is the first really egregiously ‘gosh, wasn’t yesterday’s future so much better than ours’ story this year, flattering all of those aging Boomer SF readers who didn’t become the space-station jockeys and planet-hopping businessmen they all thought they’d be when they were twelve”. As far as I can determine, the story is not set in an alternate future – it mentions NASA missions to Mars during the 1990s, and the 2008 Phonenix mission – so if it is playing on a nostalgia for the space programme of the 1960s and 1970s, then it’s only doing so in imagining a renewed interest in crewed space exploration and colonisation in the next few decades. But how does that make it “yesterday’s future”? I can understand that baby boomers (I’m not one myself), who remember the excitement of Apollo, might look for something which harkens back to that in their science fiction. But why is that necessarily a bad thing? Wheeler goes further when discussing James Patrick Kelly’s ‘Plus or Minus’ and says, “monkeys in cans is so 1970″.

Er, what?

Magical spaceships are apparently twenty-first century? A complete absence of technological realism in sf is twenty-first century? Hardly – Edmond Hamilton and EE ‘Doc’ Smith were making up magical sf shit nearly 100 years ago. So what should modern sf be? Why should stories which attempt to treat space exploration and colonisation realistically – which doesn’t automatically mean they’re looking back to Apollo, of course – be bad?

Obviously, I enjoy stories which feature space travel and exploration. And I like stories which treat the topic realistically. Hence Rocket Science. And in my own fiction I’ve done both sorts of “looking back” that Wheeler identifies above: ‘Barker’, for example, re-imagines the first flight of an American into space. It’s retro in as much as it’s a re-examination of the historic flights of Alan B Shepard and Laika. But it’s not riffing off past science fiction, it’s riffing off history. I believe this is a perfectly valid approach to writing science fiction.

Yet any sf argument on the subject of “retro” or “looking back” is going look a bit foolish in the face of one of the genre’s most popular past-times: holding up sixty-year old works as the best sf has to offer. If that’s not “looking back”, then what is? Idolising old and not very good books simply because they’re are what introduced individuals to the genre makes no sense to me. It also seems an odd definition of “good”. Surely re-working those alleged “classics” is a valid artistic response to them? Likewise for reworking old tropes, or even old inspirations.

They say there is nothing new in science fiction anyway – there are no new ideas, only new spins on old ideas. And why limit the tools you can use when writing science fiction? Looking backwards is not always driven by a need for comfort. Sometimes, it can do the exact opposite.


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Let’s do the meme

I seem to have been strangely busy the past week or so, and, I have to admit, somewhat short on inspiration for a subject to write about here. So here’s some cheap content: a meme. This was originally put together by Charles Tan. As usual: bold it if you’ve read it, italicise it if you own it but haven’t read it.

1. The Monkey’s Wedding and Other Stories by Joan Aiken
2. Rashomon and Seventeen Other Stories by Ryunosuke Akutagawa
3. The Kite of Stars and Other Stories by Dean Francis Alfar
4. I, Robot by Isaac Asimov
5. Black Projects, White Knights by Kage Baker
6. The Best of J. G. Ballard by J.G. Ballard – well, I have volume one of the Complete Stories, so I assume that counts.
7. Perpetuity Blues and Other Stories by Neal Barrett, Jr.
8. The Imago Sequence and Other Stories by Laird Barron
9. Occultation by Laird Barron
10. Mirror Kingdoms: The Best of Peter S. Beagle
11. The Collected Stories of Greg Bear by Greg Bear
12. The Chains That You Refuse by Elizabeth Bear
13. The Girl With The Flammable Skirt by Aimee Bender
14. Lord Stink & Other Stories by Judith Berman
15. Trysts: A Triskaidecollection of Queer and Weird Stories by Steve Berman
16. A Book of Endings by Deborah Biancotti
17. Blooded on Arachne by Michael Bishop
18. One Winter in Eden by Michael Bishop
19. The Poison Eaters & Other Stories by Holly Black
20. Labyrinths: Selected Stories and Other Writings by Jorge Luis Borges
21. From the Files of the Time Rangers by Richard Bowes
22. Streetcar Dreams by Richard Bowes
23. The Stories of Ray Bradbury by Ray Bradbury
24. Graveyard People: The Collected Cedar Hill Stories by Gary Braunbeck
25. Home before Dark: The Collected Cedar Hill Stories by Gary Braunbeck
26. Particle Theory by Edward Bryant
27. Tides from the New Worlds by Tobias S. Buckell
28. Bloodchild and Other Stories By Octavia E. Butler
29. Dirty Work: Stories by Pat Cadigan
30. The Night We Buried Road Dog by Jack Cady
31. The Panic Hand by Jonathan Carroll
32. Burning Your Boats: The Collected Short Stories by Angela Carter
33. Fireworks: Nine Stories in Various Disguises by Angela Carter
34. The Bloody Chamber: And Other Stories by Angela Carter – er, why the “collected stories” and then two more collections?
35. Stories of Your Life and Others by Ted Chiang
36. The Collected Stories of Arthur C. Clarke by Arthur C. Clarke – I’ve read half a dozen or so Clarke collections so I must have read the contents of this,
37. The Ladies of Grace Adieu and Other Stories by Susanna Clarke
38. Novelties & Souvenirs, Collected Short Fiction by John Crowley
39. The Avram Davidson Treasury by Avram Davidson
40. The Enquiries of Dr. Eszterhazy by Avram Davidson
41. Driftglass: Ten Tales of Speculative Fiction by Samuel R. Delany
42. We Can Remember It for You Wholesale by Philip K. Dick
43. Strange Days: Fabulous Journeys with Gardner Dozois by Gardner Dozois
44. Beluthahatchie by Andy Duncan
45. What Will Come After by Scott Edelman
46. Axiomatic by Greg Egan
47. I Have No Mouth, and I Must Scream by Harlan Ellison
48. The Beast that Shouted Love at the Heart of the World by Harlan Ellison
49. Deathbird Stories by Harlan Ellison
50. The Collected Stories of Carol Emshwiller by Carol Emshwiller
51. Dangerous Space by Kelley Eskridge
52. Fugue State by Brian Evenson
53. Harsh Oases by Paul Di Filippo
54. The Fantasy Writer’s Assistant and Other Stories by Jeffrey Ford
55. The Empire of Ice Cream by Jeffrey Ford
56. The Drowned Life by Jeffrey Ford
57. Returning My Sister’s Face and Other Far Eastern Tales of Whimsy and Malice by Eugie Foster
58. Artificial Things by Karen Joy Fowler
59. What I Didn’t See and Other Stories by Karen Joy Fowler
60. Smoke and Mirrors by Neil Gaiman
61. Fragile Things by Neil Gaiman
62. Burning Chrome by William Gibson
63. In the Forest of Forgetting by Theodora Goss
64. Take No Prisoners by John Grant
65. A Separate War and Other Stories by Joe Haldeman
66. Last Summer at Mars Hill by Elizabeth Hand
67. Saffron & Brimstone: Strange Stories by Elizabeth Hand
68. Things That Never Happen by M. John Harrison
69. The Past Through Tomorrow by Robert Heinlein
70. 20th Century Ghosts by Joe Hill
71. Skin Folk by Nalo Hopkinson
72. The Coming of Conan the Cimmerian by Robert E. Howard
73. The Lottery and Other Stories by Shirley Jackson
74. Unexpected Magics: Collected Stories by Diana Wynne Jones
75. Minor Arcana by Diana Wynne Jones
76. Grazing the Long Acre by Gwyneth Jones – though I have read all of Jones’ other collections.
77. The Wreck of the Godspeed and Other Stories by James Patrick Kelly
78. The Baum Plan for Financial Independence and Other Stories by John Kessel
79. Night Shift by Stephen King
80. Different Seasons by Stephen King
81. Hearts in Atlantis by Stephen King
82. Portable Childhoods by Ellen Klages
83. Scenting the Dark and Other Stories by Mary Robinette Kowal
84. Nano Comes to Clifford Falls and Other Stories by Nancy Kress
85. Nine Hundred Grandmothers by R.A. Lafferty
86. Objects of Worship by Claude Lalumiere
87. Black Juice by Margo Lanagan
88. Red Spikes by Margo Lanagan
89. Yellowcake by Margo Lanagan
90. Mr. Gaunt and Other Uneasy Encounters by John Langan
91. The Best of Joe R. Lansdale by Joe R. Lansdale
92. The Wind’s Twelve Quarters by Ursula K. Le Guin
93. The Compass Rose by Ursula K. Le Guin
94. The Birthday of the World and Other Stories by Ursula K. Le Guin
95. Red as Blood, or Tales from the Sisters Grimmer by Tanith Lee
96. The First Book of Lankhmar by Fritz Leiber
97. The Second Book of Lankhmar by Fritz Leiber
98. The Nightmare Factory by Thomas Ligotti
99. Stranger Things Happen by Kelly Link
100. Magic for Beginners by Kelly Link
101. Engines of Desire: Tales of Love & Other Horrors by Livia Llewellyn
102. H. P. Lovecraft: Tales by H.P. Lovecraft
103. Breathmoss and other Exhalations by Ian R. MacLeod
104. You Might Sleep by Nick Mamatas
105. Dreamsongs: A RRetrospective by George R. R. Martin
106. Invisible Country by Paul McAuley
107. Harrowing the Dragon by Patricia McKillip
108. The Bone Key by Sarah Monette
109. The Best of Michael Moorcock by Michael Moorcock
110. Black God’s Kiss by C.L. Moore
111. The Cat’s Pajamas and Other Stories by James Morrow
112. Dreams of the Compass Rose by Vera Nazarian
113. Unforgivable Stories by Kim Newman
114. The Secret Files of the Diogenes Club by Kim Newman
115. The Original Dr. Shade and Other Stories by Kim Newman
116. Monstrous Affections by David Nickle
117. The Best of Larry Niven by Larry Niven
118. I Am No One You Know: Stories by Joyce Carol Oates
119. The Complete Stories by Flannery O’Connor
120. Zoo by Otsuichi
121. Lesser Demons by Norman Partridge
122. Mr. Fox and Other Feral Tales by Norman Partridge
123. Night Moves and Other Stories by Tim Powers
124. Little Gods by Tim Pratt
125. Map of Dreams by M. Rickert
126. Holiday by M. Rickert
127. The Best of Kim Stanley Robinson by Kim Stanley Robinson
128. The Ant King and Other Stories by Benjamin Rosenbaum
129. Unacceptable Behaviour by Penelope Rowe
130. The Adventures of Alyx by Joanna Russ
131. Long Walks, Last Flights, and Other Journeys by Ken Scholes
132. Filter House by Nisi Shawl
133. Love Songs for the Shy and Cynical by Rob Shearman
134. The Jaguar Hunter by Lucius Shepard
135. Trujillo and Other Stories by Lucius Shepard
136. Phases of the Moon: Stories from Six Decades by Robert Silverberg
137. Are You There and Other Stories by Jack Skillingstead
138. The Girl With No Hands and Other Tales by Angela Slatter
139. Crystal Express by Bruce Sterling
140. Ascendancies: The Best of Bruce Sterling
141. Houses Without Doors by Peter Straub
142. Magic Terror: 7 Tales by Peter Straub
143. Absolute Uncertainty by Lucy Sussex
144. The Best of Michael Swanwick by Michael Swanwick
145. Gravity’s Angels: 13 Stories by Michael Swanwick
146. Monterra’s Deliciosa & Other Tales & by Anna Tambour
147. The Ice Downstream by Melanie Tem
148. The Far Side of the Lake by Steve Rasnic Tem
149. Her Smoke Rose Up Forever by James Tiptree, Jr.
150. Ten Thousand Light-Years from Home by James Tiptree, Jr.
151. In the Mean Time by Paul Tremblay
152. My Pathology by Lisa Tuttle
153. Ventriloquism by Catherynne M. Valente
154. The Jack Vance Reader by Jack Vance – have read half a dozen of his collections, so have probably read the contents of this.
155. City of Saints and Madmen by Jeff VanderMeer
156. The Third Bear by Jeff VanderMeer
157. Strange Things in Close-up; the Nearly Complete Howard Waldrop
158. Dead Sea Fruit by Kaaron Warren
159. Everland and Other Stories by Paul Witcover
160. The Island of Doctor Death and Other Stories and Other Stories by Gene Wolfe
161. The Very Best of Gene Wolfe by Gene Wolfe – have read three or four Wolfe collections, so have probably read contents of this.
162. Impossible Things by Connie Willis
163. Fire Watch by Connie Willis
164. The Doors of His Face, The Lamps of His Mouth and Other Stories by Roger Zelazny
165. Impossible Stories by Zoran Zivkovic
166. The Writer, The Book, The Reader by Zoran Zivkovic

Not a good list for me: too many writers I have no desire to read. I also suspect there’s a lot of overlap for those authors who have more than one collection listed, especially where one of them is a “best of” or “collected stories”. Many of the authors I’ve probably read the contents of their “collected stories” volumes as I’ve read so many of their short stories.

If I were to put a list of collections together, I suspect it would look very different from this one.


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Alternate reading material

My story ‘Disambiguation’ is now up on the website of Alt Hist, the magazine of historical fiction and alternate history. It was originally published here on my blog a couple of months ago, but now it’s found a better home. It’s something of an experimental piece since it’s constructed from a series of real and fake Wikipedia articles. It also has flying boats in it. Go read it. Please.


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A portrait of the writer as a young man

I have always been a science fiction writer. I remember filling an exercise book with deck-plans for a starship when I was twelve years old. I wish I could find that book, but it has long since vanished. During my teens I played RPGs, and wrote up the sessions as fiction. After joining the British Science Fiction Association in the late 1980s, I turned my hand to writing your actual original science fiction. Not entirely successfully, it has to be admitted. And this despite the fact there seemed to be new sf small press magazines appearing every five minutes in the UK. Some of the titles I remember, and still have copies of, are: BBR, Dream Magazine, New Moon Quarterly, Works, REM, Exuberance, Critical Wave, Territories, The Lyre, Nova SF, Auguries, Strange Attractor, Opus Quarterly, Sweet Dreams Baby!, New Visions, The Edge, The Scanner, Sierra Heaven…

I submitted fiction to several of the above, but my first ever published short story was a space opera parody which appeared in The Scanner #8 in 1990. It wasn’t very good. Shortly after graduating from university, I left the UK. And spent ten years working in the United Arab Emirates. While there, I started submitting fiction to the pro magazines, with even less success. Occasionally, I tried stories at small press mags… Which is how Sierra Heaven ended up with my second piece of published fiction in their Summer 1997 issue.

Here, for your delight and delectation, your edification and edumacation, is that story. It’s a space opera metafictional story, titled ‘Pulp!’, that probably owes far too much to certain film by Quentin Tarantino. Apologies for the poor quality of the scan.

Click here: Pulp!

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