The September issue of Litro Magazine, #137, is out now, so if you’re in London pick yourself up a copy. Each issue of Litro is themed, and this month’s theme is Future fashions. Hence my story in the issue, ‘The Spaceman and the Moon Girl’, which is about Apollo astronauts and space age fashion designers such as André Courrèges, Pierre Cardin and Emilio Pucci. There’s also fiction and poetry by Ivor W Hartmann, Tosin Coker, Ryan Van Winkle, Walé Oyéjidé and Efe Tokunbo, plus an article on future fashion in cinema by Claire Smith.
Loncon 3 is now in full swing. I am not there. After spending last weekend in a field in Derbyshire, drinking and watching a number of metal bands perform, I can’t say I’m especially bothered about missing the Worldcon (though I’m sorry I won’t have the chance to meet IRL a few visitors to the UK I know only from online). Bloodstock was good – I think I enjoyed the music more this year than last, even though initially I hadn’t been that keen on the line-up. Highlights were the sets by Obsidian Kingdom and Shining, and the crowd’s performance during Evil Scarecrow’s set. Other good stuff included Orphaned Land (twice), Rotting Christ, Winterfylleth, Old Corpse Road and Voices. The weather behaved – mostly. It hammered down on the Sunday, and everywhere got wet and muddy, but it cleared up by the evening. Security this year was much improved; the toilets were much worse. A good festival, nonetheless.
Meanwhile… these summer months so far have felt spectacularly unproductive, and there have been days when I’ve had trouble working up the enthusiasm to write, edit, or even get started on a book review… Which is not to say I’ve done nothing. It just feels like it. I’m assuming reviews count. I wrote a fair few of those during June and July. Four for SF Mistressworks, in fact: We Who Are About To…, Joanna Russ (here); Busy About the Tree of Life, Pamela Zoline (here); Worlds for the Grabbing, Brenda Pearce (here); and Judgment Night, CL Moore (here). A fifth went up this week – The Revolving Boy, Gertrude Friedberg (here) – and I have another two suitable books I’ve read but I’ve yet to start on the reviews – Aurora: Beyond Equality, edited by Vonda N McIntyre & Susan Janice Anderson; and Second Body, Sue Payer. I also reviewed Extreme Planets, edited by David Conyers, David Kernott & Jeff Harris, for Interzone (the anthology’s publishers really need to sort out its Amazon page); and I have another book sitting on this desk beside my laptop to review for them, which is, er, already late. (I’ll have it done by the end of the week, Jim. Honest.)
Whippleshield Books continues to quietly stumble along. Sales of Adrift on the Sea of Rains have just passed 1100, those of The Eye With Which The Universe Beholds Itself are over 500, and Then Will The Great Ocean Wash Deep Above has to date managed a tardy 200-or-so units sold. I’m determined to get the final book of the Apollo Quartet, All That Outer Space Allows, out before the end of the year, although at present I can’t predict exactly when. (Which reminds me: I need to buy some more ISBNs.) Aphrodite Terra, however, should appear some time next month. (The contributors were paid on acceptance, so any delay is more annoying than anything else.)
Also, next month, I’ll have a story in Litro magazine. The issue has a “future fashion” theme, and my story, ‘The Spaceman and the Moon Girl’, is about astronauts and space age fashion designers. Sort of. Postscripts #32/33: Far Voyager should also be out some time this year, with my story providing its title. And later this year – no date as yet – Tickety Boo Press are publishing an anthology Space: Houston, We Have A Problem, which contains my story ‘Red Desert’.
ETA: I forgot to mention I contributed a couple of Friday Fives to Pornokitsch – one on sf novels about first missions to the Moon titled, with a great deal of imagination, ‘5 Trips to the Moon’; the other about sf movies set at the bottom of the ocean, ‘5 Pieces of Soggy Sci-Fi Cinema‘.
The latest issue of Perihelion Online Science Fiction Magazine has appeared, and among its many fine stories is one of mine – ‘Waters of Lethe’. It’s about a bathyscaphe journey to the bottom of Europa’s world-ocean. Sort of. You can read it here.
I’ve now written stories which feature Wilfred Owen, Spitfires, the Bell, Apollo astronauts, flying boats, rocket sleds, bathyscaphes… What to do next?
It’s been two years since Adrift on the Sea of Rains was published, and reviews of it continue to appear online. Which is very gratifying. But for some reason books two and three of the Apollo Quartet, The Eye With Which The Universe Beholds Itself and Then Will The Great Ocean Wash Deep Above, published sixteen and six months ago respectively, haven’t been reviewed to the same extent. So this is just a note to say ebook review copies of The Eye With Which The Universe Beholds Itself and Then Will The Great Ocean Wash Deep Above are still available. If you fancy one, either leave a comment or tweet me at @ian_sales. I can do epub, mobi or pdf. At a pinch, I can even do paperback.
Meanwhile, of course, work continues on All That Outer Space Allows. I’m at that stage where I’m reading research materials to get a feel for the period and place and cast, and getting some early words down on paper. The story opens in 1965 at Edwards Air Force Base and ends in Florida on the evening of 16 April 1972. It will be about astronauts and it will be about science fiction.
Here’s the opening paragraph. As you can see, it’s going to be a bit different to the preceding three novellas…
Ginny is at the table on the patio, in slacks and her favourite plaid shirt, hammering away on her Hermes Baby typewriter, a glass of iced tea to one side, a stack of typescript to the other. Something, a sixth sense, she’s developed it during her ten years as an Air Force wife, a presentiment, of what she can’t say, causes her to glance over at the gate to the yard. And there’s Bob, Lieutenant Colonel Robert Lincoln Hollenbeck, cap in hand, his movie-star profile noble with concern. Ginny immediately looks over to her right, across to the Air Force Base and the dry lake. Her hand goes to her mouth. Oh my God my God my God. There’s a line of dark smoke chalked up the endless sky. My God my God my God. She pushes back her chair and lurches to her feet.
The above may change as I get further into the story and things start to come together. But for the time-being at least it gives a good idea of what I have planned.
PS Publishing have released details of the next Postscripts anthology, Far Voyager Postscripts #32/33. The TOC looks like this:
- ‘Far Voyager’ — Ian Sales
- ‘3 A.M. in the Mesozoic Bar’ — Michael Swanwick
- ‘Dear Miss Monroe’ — Andrew Jury
- ‘The Case of the Barking Man’ — Mel Waldman
- ‘One Hundred Thousand Demons and the Cherub of Desire’ — Andrew Drummond
- ‘An American Story’ — Darrell Schweitzer
- ‘Irezumi’ — John Langan
- ‘Sister Free’ — Rio Youers
- ‘A Little Off the Top’ — Tom Alexander
- ‘Sweetheart, I Love You’ — Mel Waldman
- ‘Winter Children’ — Angela Slatter
- ‘A Girl of Feather and Music’ — Lisa L. Hannett
- ‘Thirty Three Tears to a Teaspoon’ — Alan Baxter
- ‘The Rusalka Salon for Girls Who Like to Get Their Hair Wet’ — Angie Rega
- ‘The Psychometrist’ — Suzanne J. Willis
- ‘Sea Angels’ — Quentin S. Crisp
- ‘Plink’ — Kurt Dinan
- ‘Xaro’ — Darren Speegle
- ‘We Are Not Alone’ — Richard Calder
- ‘The Curtain’ — Thana Niveau
- ‘Playground’ — Gio Clairval
- ‘What Once Was Bone’ — Gary A. Braunbeck
- ‘Darkscapes: Three Journeys to the Night Side’ — Mel Waldman
- ‘Services Rendered’ — Bruce Golden
- ‘GW in the Afterlife’ — Robert Reed
- ‘Eskimo’ — Andrew Hook
- ‘With Friends Like These’ — Gary Fry
- ‘An Inspector Calls’ — Ian Watson
- ‘Confessions’ — Mel Waldman
- ‘A Legion of Echoes’ — Alison Littlewood
- ‘Talk in Riddles’ — Mark Reece
- ‘The Mermaid and the Fisherman’ — Paul Park
Yup. My story is the title story. Cool, or what? There’s some good stuff in that TOC too, including a few favourite authors. No publication date as yet, but it’ll be sometime this year, I imagine.
The Apollo Quartet is hard sf, but it’s also alternate history. And the books of the quartet themselves have their own alternate history too. They say a plan never survives contact with the enemy and, in pretty much the same way, a synopsis never survives unscathed once you actually get into writing a novel, novella or story.
I can’t remember at what point in the writing of Adrift on the Sea of Rains I decided it would be the first of the quartet… but once I’d made the decision I obviously needed to come up with three more stories. I had one sitting in my “ideas book” (actually, it’s just a Google doc) that I thought would be suitable. It was only when I started writing the second book of the quartet that I realised it didn’t quite fit. So I kept one narrative thread, left the other as implied, added a new narrative about the mission to Mars, set the story decades earlier… and changed the title to The Eye With Which The Universe Beholds Itself.
The original Apollo Quartet 3 and 4 bear no resemblance to the ones that have been/will be published. The original synopsis for Apollo Quartet 3 just simply didn’t fit in with how the quartet was shaping up. And I’d decided I really wanted to write about the Mercury 13 and the bathyscaphe Trieste. So I did.
With the Mercury 13 as the subject of Then Will The Great Ocean Wash Deep Above, another theme was rising to the forefront of the four novellas… and so I needed a new story for the final book. I’d already “borrowed” the title of my favourite film, but the link to Sirk’s masterpiece was too thin. That wasn’t going to work. But with a little sleight of hand, I had myself a new plot which provided a suitable end to the quartet, and then the title – with a little tweaking – would suit it perfectly. Instead of an Avro engineer, my protagonist would be an astronaut’s wife. And rather than just a fan of science fiction, she’d be a writer…
So here, for your delight and delectation, are the original synopses for Apollo Quartets 2 to 4, which I recently discovered in a Google doc created back in September 2011.
2. Wave Fronts The Earth has a single interstellar colony – administered by NASA, ESA and JASA – on SuperEarth2 at Gleise 581, twenty light years from Earth, and which has been in existence for twenty years. By now radio waves from the colony should have reached Earth, but there has been nothing. So Shepard has been sent to find out what’s happened. He travels to Gleise 581 by bubble-ship, and when he arrives at SuperEarth2, he discovers that the colony has completely vanished. Using one of the bubble-ship’s re-entry capsules, he lands on the surface and treks across the land to the settlement’s location. But it is as if it had never existed. And now he stuck there as there is no way for him to get into orbit. A second narrative depicts the dismantling of a colony and its preparations to leave its world before the light front reaches Earth. The colonists move onto another planetary system… where they meet an alien race, engaged in the same method of colonisation as themselves.
3. The Shores of Earth Earth is now home only to the empress of the Healing Empire, her family and staff, who all live in a vast palace. The rest of humanity lives off-Earth, scattered throughout the Solar System. The protagonist travels to Earth and lands in capsule which can reconfigure itself into lifting-body/glider. He is immediately arrested by the empress’s personal guard, and subsequently interrogated by a captain of the guard. The protagonist has come to report the arrival of a vessel from an interstellar colony populated centuries before by a generation ship, but its arrival is too soon – there’s not been enough time to get to the exoplanet, and then build the necessary infrastructure to send the ship back. Perhaps the visiting ship is alien? Except no evidence of aliens has ever been found…
4. All That The Stars Allow It is the late 1950s, and a British electronics engineer is offered a job in Houston with NASA, which entails moving from his current job in Canada where he works for Avro. (A lot of Mission Control was designed and built by British engineers, many of which had previously worked for Avro in Canada.) He packs up and drives south, anticipating the future of manned spaceflight given what he knows of NASA’s plans. The engineer is an avid reader of science fiction, and the second narrative is the text of a story of the period of an engineer in a future in which humanity has colonised the Solar System.
Perhaps one day these stories may appear, no doubt in somewhat changed form. But when all’s said and done, I think the Apollo Quartet as it now exists is a much better piece of work than it would have been had I used the above plots.
Hot off the tinterweb’s ones and zeros, a pair of interviews of me have appeared today. Actually, it’s the same interview – in English and in Spanish. The Spanish version is on Leticia Lara’s Fantástica Ficción here, and the English version is on Odo’s Sense of Wonder here. It was fun doing the interview, and they asked some tricky questions.