An open letter from Tom Hunter, director of the Arthur C Clarke Award, has been posted on the Torque Control blog here. In the letter, Tom writes, “the Award is now faced with an immediate and pressing need to change, adapt and re-evaluate its role and function as it moves into 2012 and its next quarter century”, and has asked for people’s thoughts on the Award and how it should change.
The questions Tom asks are:
What value does the Award bring to the SF community and what role should it play in its future?
A great deal of value, especially to UK sf. I’m not sure it needs to expand its current role, however.
How important is a UK focused prize in an increasingly international and digital marketplace?
Increasingly important – there is a vibrant sf community in the UK, and it would be a shame to see the genre homogenised as the larger US market comes to dominate both print and digital sectors.
What more could the Award do as part of its broader advocacy remit to promote science fiction?
Persuade publishers to add “shortlisted for the Arthur C Clarke Award”, or “winner of the Arthur C Clarke Award” onto the covers of relevant books – even if they are not marketted as science fiction. Persuade publishers to pay for in-store Clarke Award promotions for relevant novels after the shortlist has been announced (some publishers, I believe, already do this). Add more dynamic content to the Clarke Award website – i.e., a bigger online presence: a forum, critical articles, etc.
How much does the success and the credibility of the Award depend on it having a cash prize?
A cash prize means it is more likely to be taken seriously.
What new partnerships and opportunities could we create to generate seed funding for the future?
The UK Space Agency, perhaps? University science and literature departments? Genre small press publishers? Online and high street booksellers? National newspapers? Genre book bloggers? A cable television channel / production company? I’m not entirely sure what partnerships currently exist.
What do you think? What does the Arthur C. Clarke Award mean to you, how important a part of the SF landscape is it, and where would you like it to go from here?
I have a lot more respect for the Clarke Award than I do the Hugo. I may not have agreed with every book the Clarke juries over the years have shortlisted, or chose as winner, but they’ve consistently picked interesting novels – or novels which generate interesting discussions. The Clarke has done more to foster debate within the UK sf community than I suspect the Hugo has done in US fandom. I especially like the fact that the juries look outside the sf marketing category, and as a result have identified novels which have been enthusiastically adopted by sf readers. That policy, I think, should certainly continue.
Each year, I have made an effort – not always successfully, I must admit – to read the novels shortlisted by the Clarke Award. I do the same for the BSFA Award (for which I can vote), but the Clarke generally picks a more varied and interesting shortlist. I especially appreciate being able to look at the Clarke Award shortlist in any year and know that the books on it are among the best sf novels published in the UK that year.
That’s not something you can say of many other genre awards.